A reminder to stop, listen, and appreciate.
This Dutch and Belgian import explores the communal power of music.
Isabel, a whiskered, rosy-hued mouse, plays the violin. Her brothers and sisters also play classical instruments. Whenever they hold concerts, the entire forest stops to listen. Isabel has an adventurous spirit. She likes to roam the forest in search of new sounds. One day, after finding a bird warbling an intriguing tune, Isabel calls her siblings to come and listen. They aren’t impressed. “This sounds very different from our music,” they sneer. “Our music is much better.” The family pooh-poohs each new sound that Isabel finds. Then one day, she happens upon another group of mice. They are teal (from the city, Overmeer is keen to point out), and one plays the guitar. Isabel’s family, again, thinks the music sounds strange. Isabel can’t take it anymore. “Stop!” she shouts. Her anger and frustration are conveyed by a giant scribbled tornado that swirls across the page. Differences should be celebrated, not ridiculed. And maybe, just maybe, they could make beautiful music together. The resolution is a bit slapdash and pat, but it’s positive nonetheless. Berenschot uses ribbons, bubbles, and droplets to represent music, creatively illustrating the sounds that are so very important to Isabel. Backmatter includes musical-education activities that connect back to the story. (This book was reviewed digitally.)
A reminder to stop, listen, and appreciate. (Picture book. 3-6)Pub Date: June 29, 2021
ISBN: 978-1-60537-636-3
Page Count: 32
Publisher: Clavis
Review Posted Online: April 13, 2021
Kirkus Reviews Issue: May 1, 2021
BOOK REVIEW
BOOK REVIEW
Familiarity breeds a birthday for the ages in this party worth attending.
Don’t let the Pigeon ruin his own special day!
Anyone who has ever encountered the title character in any of his books—whether his first, Don’t Let the Pigeon Drive the Bus (2003), or one of its many sequels—will understand that the bird’s innate self-love drives his every interaction. Little wonder, then, that he’s thrilled about his own “bird-day.” He has the hat. He has his “FANCY PLUMAGE.” And, best of all, he will get to blow out a candle “on my bird-day hot dog!” As he revels in the knowledge that this day is all for him, comeuppance is lurking. Someone has already blown out the bird-day candle—and eaten half the hot dog. It turns out that the Pigeon’s frenemy, the Duckling, has the same bird-day—as do a slew of newly hatched chicks. The Pigeon’s obligatory eight-panel freakout ensues. “What am I—invisible? I just want to be seen,” he whimpers, and when he receives some much-needed reassurance, he settles down and willingly shares his special day. While the switch from unapologetic narcissism to mature acceptance happens in the record-breaking span of two pages, the book is as enchanting as the Pigeon’s earlier outings. Even as it walks in the footsteps of its predecessors, there’s no denying the fun to be had.
Familiarity breeds a birthday for the ages in this party worth attending. (Picture book. 3-6)Pub Date: March 31, 2026
ISBN: 9781454999621
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Nov. 22, 2025
Kirkus Reviews Issue: Jan. 1, 2026
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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