Sami was feeding his pigeons when his home and his neighborhood were suddenly gone.
Sami and his family, Muslims, escape, along with everyone he knows. He's frightened by smoke and noise, and his father squeezes his hand and assures him his beautiful birds have escaped, too. Days of walking get them to a refugee camp and safety, but while the other kids play and adults try to create a sense of normalcy, Sami cannot join in. Days pass, then he sees four different birds, which land on his outstretched arms. He collects some seeds to feed them, along with paper and wool for their nests, and for the first time since leaving Syria, Sami finds some peace. He then has the strength to welcome a frightened little girl who arrives with a new group. Del Rizzo uses her considerable talent with paint, Plasticine, and polymer clay to create the colorful, highly textured illustrations for this book, which she conceived while searching for a way to explain the Syrian civil war to her young children. Based on a real refugee child who keeps birds, this story isn't about war but its effect on those who experience it and survive.
This story of one frightened little boy who finds strength in caring for animals and uses that strength to comfort other kids is an excellent means of explaining a difficult subject to young children. (author’s note) (Picture book. 4-10)Pub Date: March 8, 2017
ISBN: 978-1-77278-010-9
Page Count: 32
Publisher: Pajama Press
Review Posted Online: Dec. 21, 2016
Kirkus Reviews Issue: Jan. 15, 2017
Categories: CHILDREN'S ANIMALS | CHILDREN'S SOCIAL THEMES
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Brown introduces a smart, young protagonist with a multicultural background in this series opener for chapter-book readers.
Second-grader Lola Levine is half-Peruvian and half-Jewish; she is a skilled soccer player, a persuasive writer, and aspires to own a cat in the near future should her parents concede. During a friendly recess soccer match, Lola, playing goalie, defends an incoming ball by coming out of her box and accidentally fouls a classmate. And so Lola acquires the rhyming nickname Mean Lola Levine. Through Lola’s first-person narration, readers see clearly how her savvy and creativity come from her family: Dad, who paints, Mom, who writes, and a fireball younger brother. She also wears her bicultural identity easily. In her narration, her letters to her friends, and dialogue, Lola easily inserts such words as diario, tía, bubbe, and shalom. For dinner, the family eats matzo ball soup, Peruvian chicken, and flan. Interspersed throughout the story are references to all-star soccer athletes, from Brazilian master Pelé to Mia Hamm, Briana Scurry, and David Beckham. Dominguez’s black-and-white illustrations are cheery and appealing, depicting a long-haired Caucasian father and dark-skinned, black-haired mother. Typefaces that emulate penmanship appropriately differ from character to character: Lola’s is small and clean, her mother’s is tall and slanted, while Juan’s, the injured classmate, is sloppy and lacks finesse.
Celebrate a truly accepting multicultural character. (Fiction. 6-10)Pub Date: Nov. 3, 2015
ISBN: 978-0-316-25836-4
Page Count: 96
Publisher: Little, Brown
Review Posted Online: Aug. 12, 2015
Kirkus Reviews Issue: Sept. 1, 2015
Categories: CHILDREN'S SOCIAL THEMES
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Hee haw.
32
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The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 29, 2018
Categories: CHILDREN'S ANIMALS
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