A smoking cessation guide with inspiring personal accounts by people who have stopped.
Two experts on tobacco treatment—Harris, a nurse, and Brunetta (Pulmonary/Univ. of California, San Francisco), a doctor and lung cancer specialist—collect former smokers’ stories of how they quit and offer strategies for others who’d like to break the habit.
While working together at the San Francisco Medical Center’s Chest Clinic, Harris and Brunetta bonded over their passion for helping patients quit smoking. Together, they founded the UCSF Tobacco Education Center, which hosts a stop-smoking program and a weekly Freedom From Smoking Support Group, and they build on what they’ve learned from those experiences in this new edition of a 2018 book. They begin with brief profiles of former smokers they met through the support group, photographed by Harding (Streets of Discontent, 2018, etc.), then move on to 235 pages of engaging personal stories by members. Their former smokers had different reasons for quitting, so the accounts vary widely. Each story, however, explores an open-ended question like, “Who would you be without cigarettes?” or “What is your denial story?” in an effort to motivate and inspire readers. For example, one former smoker’s “denial story” was that she believed incorrectly that she could not have a heart attack because she didn’t smoke very much, remained active, and was a woman. The book subsequently asks readers to think about their own denial stories and provides space in which they can jot down their notes on the subject. The authors go on to explore how smoking relates to health, covering topics like the effects of smoking on lung function and of nicotine on the brain. There’s also a timely section on vaping and e-cigarettes. Throughout the book, there are helpful images by debut illustrator Marhofer and tables featuring such things as a comparison of the temporal cortexes of a smoker and nonsmoker and information on nicotine replacement therapies. Useful as that information is, the personal stories—told in former smokers’ own words—are what set this book apart from other guides to quitting smoking. Readers who would like to hear from real people who have successfully quit smoking will benefit from it.
A smoking cessation guide with inspiring personal accounts by people who have stopped.Pub Date: Dec. 8, 2019
ISBN: 978-1-944473-00-6
Page Count: 365
Publisher: Avasta
Review Posted Online: Feb. 3, 2020
Review Program: Kirkus Indie
Another big Lenny B. bio, jam-packed with accomplishment and angst. This is not a terrible book, and there are occasional passages of nice insight. Ultimately, however, the limitations that biographer Secrest admits at the outset prove to be too much for her. She is not a music historian, her previous subjects mostly having been figures from architecture and the visual arts (Frank Lloyd Wright, 1992, etc.), and her self-professed inability to evaluate Bernstein as composer exacerbates the inherent difficulties of writing his life so soon after his death. ``Various family members, close friends, and colleagues'' refused to talk to her because the Bernstein estate was contracted to another biographer (presumably Humphrey Burton, author of Leonard Bernstein, p. 260); for the same reason, she did not have access to the ``vast Bernstein archives.'' There were, of course, still plenty of folks who would talk (and talk and talk) to her about the maestro, and they had a lot to say, on every now-familiar subject from L.B.'s ambivalent sexuality to his podium manners, his business acumen, and his skills as father and teacher. If it were not for the thematic and chronological connective passages that display Secrest's skill as a biographer, the book could be called Reminiscences on Bernstein. Predictably, not all of the lengthy, sometimes rambling, quotations are of equal merit; all are self- interested and some don't make sense. We hear much about Bernstein's conflicts—conducting vs. composing, his attraction to men vs. women—but in the absence of an overview of his creative legacy (which simply may not be possible at this early date), the reader winds up feeling merely exhausted by Lenny's energy level. Another book for the growing shelf from which some Maynard Solomon or musical Walter Jackson Bate will have to winnow when the time comes to write a critical biography rather than the Bernstein story. (100 b&w photos) (First printing of 35,000)
Pub Date: Nov. 10, 1994
ISBN: 0-679-40731-6
Page Count: 496
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Aug. 15, 1994
The daughter of Boston's beloved maestro transposes the familiar laments of a star's adult child into the world of classical music. In the course of his 50-year tenure as conductor of the Boston Pops orchestra, Arthur Fiedler emerged as a true celebrity. Beyond his musical flair and dashing appearance, he exhibited a knack for marketing. He made his reputation by organizing America's first annual series of free outdoor symphony orchestra concerts on Boston's Charles River Esplanade. On taking over the Pops in 1930, he built a national following, and in his last decades, the PBS ``Evening at Pops'' television broadcasts cemented his fame. The Arthur Fiedler whom the public adored, however, turns out— surprise!—to have distanced himself from his family, immersing himself in his career and continuing to live the high life while on tour. When at home, he would show himself to be misanthropic, miserly, and alcoholic. Fiedler fille details in a clear style how this behavior impeded her personal growth. After a withdrawn, troubled childhood, she came to have difficulties of her own with alcohol and searched into adulthood for a father figure—for instance, dating musicians, some ``hand-picked'' by her father, all with forceful, dominating personalities like his. Her complaints against Fiedler päre seem valid, but the dysfunctional Fiedler family nevertheless strikes the reader as having been more typical of the mid-century upper middle class than traumatic in the ``Daddy Dearest'' vein. More intriguing sections of her book narrate her family's singular accomplishments: her grandfather's emigration from Austria to join the Boston Symphony, her father's navigation of the tides of cultural politics and of nationalist sentiment during WW I, and his endeavors to prove his mettle as a serious artist. That he loved dogs, fire engines, and women while hating children is, in the end, relatively uninteresting. Only Fiedler enthusiasts and habituÇs of the classical music scene will want to wade through the run-of-the-mill pop psychologizing featured here.
Pub Date: Oct. 11, 1994
ISBN: 0-385-42391-8
Page Count: 272
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1994
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