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KNOCK KNOCK

Self-indulgent but worth reading for those interested in the self-dramatizing stars of the American literary scene of the...

Editor and short story writer McNear (Drought, 2009) sketches the life of her alter ego, March Rivers, from her mother's womb to the present day.

McNear, an editor at Playboy in the magazine's heyday and a graduate student at the University of Wisconsin at the height of student unrest, has stories worth telling, and her kaleidoscopic, stream-of-consciousness style alternately engages and disorients. At her best, the author describes people and events in striking, original and funny ways; one character has “pools of white blonde hair that fell about her bare shoulders, like whipped cream”; another looked “like a gigantic mattress, wrapped up in plaid.” At her worst, she is a shameless name-dropper who compulsively lists her literary influences. Although individual sentences light up the prose, too much remains hazy and unsatisfying. The author's many vague disappointments and regrets are not the stuff of drama, and it's hard to become engrossed in the life story of someone for whom so little is at stake: McNear was born to wealthy parents, well-educated, well-connected, and the recipient of free housing, maid service, book contracts and highly coveted editing jobs. Many privileged people lead lives as worthy of documentation as anyone else's, but the privileged must take extra care to avoid being perceived as entitled. Given that she is hyperaware of her own feelings and largely unconcerned with those of others, including her daughters, whom she “failed…in ways she regretted, but could live with,” McNear is unlikely to come across as anything else.

Self-indulgent but worth reading for those interested in the self-dramatizing stars of the American literary scene of the 1960s and ’70s.

Pub Date: Dec. 31, 2012

ISBN: 978-1-57962-286-2

Page Count: 200

Publisher: Permanent Press

Review Posted Online: Nov. 12, 2012

Kirkus Reviews Issue: Dec. 1, 2012

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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