The debut novel from acclaimed short fiction writer Palmer—who won the Hugo Award for Best Novelette for The Secret Life of Bots in 2018—is a breakneck-paced and action-packed science-fiction adventure featuring an endearing con artist whose current mission to retrieve a stolen spaceship ignites a war.
Although born in Scotland, Fergus Ferguson has traveled all over the galaxy making a career of “chasing things and running away.” His latest job is helping the Shipmakers of Pluto find and recover a sentient spacecraft that has been taken by Arum Gilger, a ruthless crime boss who has plans to wrest control of a deep space harvesting settlement called Cernekan from a precarious alliance of government and business leaders. Before Ferguson even arrives at Central—the ring station at the center of Cernekan that connects all the various habitats via a complex cable system—he and a passenger in a cable car are attacked, and he barely escapes with his life. Suddenly in the middle of a looming war between factions fighting for control of the settlement, Ferguson finds himself in peril again and again, needing ingenuity and a lot of luck to extract himself from deadly situations in pursuit of his objective. While Palmer excels at worldbuilding, plot intricacy, and pacing, the real power here is in the emotional connectivity of her main character. Ferguson is a brilliantly developed, multifaceted antihero—deeply flawed yet effortlessly identifiable—and, largely on the strength of that depth of character, Palmer has built a solid foundation for what could be a highly entertaining SF adventure series. And although some (OK, a lot) of the sequences may strain the bounds of believability, this is an undeniably fun read. (The scene where Ferguson uses vibrating alien sex toys as unconventional space weapons, for example, will stay with readers for a while.)
A nonstop SF thrill ride until the very last page.Pub Date: April 2, 2019
ISBN: 978-0-7564-1510-5
Page Count: 400
Publisher: DAW/Berkley
Review Posted Online: Feb. 18, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Categories: SCIENCE FICTION | GENERAL SCIENCE FICTION | SPACE | GENERAL SCIENCE FICTION & FANTASY
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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
84
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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK REVIEW
BOOK TO SCREEN
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally...
21
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Yale’s secret societies hide a supernatural secret in this fantasy/murder mystery/school story.
Most Yale students get admitted through some combination of impressive academics, athletics, extracurriculars, family connections, and donations, or perhaps bribing the right coach. Not Galaxy “Alex” Stern. The protagonist of Bardugo’s (King of Scars, 2019, etc.) first novel for adults, a high school dropout and low-level drug dealer, Alex got in because she can see dead people. A Yale dean who's a member of Lethe, one of the college’s famously mysterious secret societies, offers Alex a free ride if she will use her spook-spotting abilities to help Lethe with its mission: overseeing the other secret societies’ occult rituals. In Bardugo’s universe, the “Ancient Eight” secret societies (Lethe is the eponymous Ninth House) are not just old boys’ breeding grounds for the CIA, CEOs, Supreme Court justices, and so on, as they are in ours; they’re wielders of actual magic. Skull and Bones performs prognostications by borrowing patients from the local hospital, cutting them open, and examining their entrails. St. Elmo’s specializes in weather magic, useful for commodities traders; Aurelian, in unbreakable contracts; Manuscript goes in for glamours, or “illusions and lies,” helpful to politicians and movie stars alike. And all these rituals attract ghosts. It’s Alex’s job to keep the supernatural forces from embarrassing the magical elite by releasing chaos into the community (all while trying desperately to keep her grades up). “Dealing with ghosts was like riding the subway: Do not make eye contact. Do not smile. Do not engage. Otherwise, you never know what might follow you home.” A townie’s murder sets in motion a taut plot full of drug deals, drunken assaults, corruption, and cover-ups. Loyalties stretch and snap. Under it all runs the deep, dark river of ambition and anxiety that at once powers and undermines the Yale experience. Alex may have more reason than most to feel like an imposter, but anyone who’s spent time around the golden children of the Ivy League will likely recognize her self-doubt.
With an aura of both enchantment and authenticity, Bardugo’s compulsively readable novel leaves a portal ajar for equally dazzling sequels.Pub Date: Oct. 1, 2019
ISBN: 978-1-250-31307-2
Page Count: 448
Publisher: Flatiron Books
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
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