A well-researched, disheartening, yet relentlessly hopeful examination of American public schools.
A former teacher assesses the problems that plague public schools in the United States in this debut education book.
During her tenure teaching elementary math in Baltimore County public schools, DeMallie was time and again “a teacher without a voice.” Her own professional opinions, based on the interests of the students she knew best, were constantly vetoed by the schools’ administrations. Tired of seeing how the public school system itself “enabled the problem and failed to provide a solution,” the author resigned after seven years in the classroom to become a national voice for education reform. This book’s first half identifies some of the major issues confronting America’s public schools, ranging from corrupt superintendents to the misapplication of technology. DeMallie’s nuanced analysis tackles the controversial Common Core, noting areas where it “benefits” students but also highlighting spots where it falls short of its intended goals. Even America’s century-old grading system is put under the microscope, as the author encourages readers to ask if “grades motivate students” to learn or even are accurate reflections of their knowledge. The second half of the volume centers on “Ten Steps To Improve Public Education,” which range from mental fortitude (“be resilient” and “focus on the positive”) to pragmatic tips, such as the efficacy of teacher microphones in reducing academic and behavioral issues. DeMallie’s rigorous analysis is often accompanied by anecdotes from her time in the classroom as well as her own experiences as a parent whose son initially struggled in school due to a hearing issue. These vignettes, combined with the author’s conversational yet informed writing style, make for an approachable read. Designed to spawn future parent/teacher activists, the book also includes questions for small group discussions as well as practical advice on how individuals can speak up and make changes on a local and even national level (as DeMallie did as the founding director of the Institute of Classroom Hearing). While some may disagree with the author’s suggestion to not “rely on politicians” for reform, this is a remarkably well-written, balanced, and impassioned case for change.
A well-researched, disheartening, yet relentlessly hopeful examination of American public schools.Pub Date: Jan. 13, 2021
ISBN: 978-1-54-451796-4
Page Count: 316
Publisher: Houndstooth Press
Review Posted Online: May 3, 2021
Kirkus Reviews Issue: June 15, 2021
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
Sedaris at his darkest—and his best.
In which the veteran humorist enters middle age with fine snark but some trepidation as well.
Mortality is weighing on Sedaris (Theft by Finding: Diaries 1977-2002, 2017, etc.), much of it his own, professional narcissist that he is. Watching an elderly man have a bowel accident on a plane, he dreaded the day when he would be the target of teenagers’ jokes “as they raise their phones to take my picture from behind.” A skin tumor troubled him, but so did the doctor who told him he couldn’t keep it once it was removed. “But it’s my tumor,” he insisted. “I made it.” (Eventually, he found a semitrained doctor to remove and give him the lipoma, which he proceeded to feed to a turtle.) The deaths of others are much on the author’s mind as well: He contemplates the suicide of his sister Tiffany, his alcoholic mother’s death, and his cantankerous father’s erratic behavior. His contemplation of his mother’s drinking—and his family’s denial of it—makes for some of the most poignant writing in the book: The sound of her putting ice in a rocks glass increasingly sounded “like a trigger being cocked.” Despite the gloom, however, frivolity still abides in the Sedaris clan. His summer home on the Carolina coast, which he dubbed the Sea Section, overspills with irreverent bantering between him and his siblings as his long-suffering partner, Hugh, looks on. Sedaris hasn’t lost his capacity for bemused observations of the people he encounters. For example, cashiers who say “have a blessed day” make him feel “like you’ve been sprayed against your will with God cologne.” But bad news has sharpened the author’s humor, and this book is defined by a persistent, engaging bafflement over how seriously or unseriously to take life when it’s increasingly filled with Trump and funerals.
Sedaris at his darkest—and his best.Pub Date: May 29, 2018
ISBN: 978-0-316-39238-9
Page Count: 288
Publisher: Little, Brown
Review Posted Online: Feb. 19, 2018
Kirkus Reviews Issue: March 1, 2018
PROFILES
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