by Suzanne Slade ; illustrated by Elisa Paganelli ‧ RELEASE DATE: March 15, 2021
This indisputably timely book makes a solid case for greater recognition.
Profiles a virologist who was among the first to photograph and identify the coronavirus family.
Almeida’s own family has a significant presence in this account of her career and discoveries. Slade begins with her Glasgow-born subject’s early love of science and the death of her little brother, continues through marriage, divorce, and single parenting to track her growing reputation for expertise in microphotography and electron microscopy, then highlights the watershed human coronavirus paper she co-authored in 1967. A specific description of how she used “negative staining” to prepare her coronavirus specimens adds a laudatory glimpse of technical detail to the plain-language explanations of her discoveries. Incorporating memories and material supplied by the researcher’s daughter, the author of A Computer Called Katherine (illustrated by Veronica Miller Jameson, 2019) presents another underrecognized woman scientist as a role model. In this case, Almeida is not seen as a crusader breaking down barriers of race (she was White) and sexism but more generally as a smart, hard worker doing her best in both private and professional lives. If her character remains hard to pin down, a bit of verse preceding the expansive afterword (“Virus, Virus, shining bright / In the phosphotungstic night”) hints at a sense of humor. Single scientists of color in two group scenes are the only non-White figures in Paganelli’s clean, precisely drawn cartoon illustrations. (This book was reviewed digitally with 11-by-18-inch double-page spreads viewed at 77% of actual size.)
This indisputably timely book makes a solid case for greater recognition. (timeline, adult bibliography.) (Picture book/biography. 8-10)Pub Date: March 15, 2021
ISBN: 978-1-5341-1132-5
Page Count: 40
Publisher: Sleeping Bear Press
Review Posted Online: Dec. 14, 2020
Kirkus Reviews Issue: Jan. 1, 2021
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by Gabriel Martín Roig ; illustrated by Fátima García ‧ RELEASE DATE: Nov. 1, 2017
Apart from the peculiar posthumous narration, a useful addition to the artist-biography shelf.
This Spanish import describes well-known events in van Gogh’s career
Readers first see him as a child and then as an assistant in his uncle’s art dealership, followed by a brief spell as a minister, during which he witnessed and drew mining families living in terrible poverty. Constantly dogged by disapproval and humiliation in the provincial towns, the painter moved to Paris. Here he was exposed to contemporary art movements that were central to the evolution of his distinctive style. His removal to the Arles countryside, the inspiration for many of his most famous works; his complicated friendship with Gauguin; and his eventual descent into madness and suicide are described and illustrated with García’s soft watercolor illustrations and a few reproductions. Sidebars provide background information about art movements, places, and people that influenced van Gogh. The entire book, including the concluding timeline, is in the first person. This is potentially confusing for children who have a limited understanding of chronology. Some of the statements seem particularly jarring owing to this choice of narrative voice. The timeline states: “in a moment of despair, [I] shot myself in the chest. Two days later, I died.” It will be obvious to most readers that he could not be writing when dead, and this adds a layer of absurdity that derails the otherwise factual tone.
Apart from the peculiar posthumous narration, a useful addition to the artist-biography shelf. (list of paintings, websites) (Biography. 8-10)Pub Date: Nov. 1, 2017
ISBN: 978-1-59572-770-1
Page Count: 64
Publisher: Star Bright
Review Posted Online: Sept. 30, 2017
Kirkus Reviews Issue: Oct. 15, 2017
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by Audrey Vernick ; illustrated by Jennifer Bower ‧ RELEASE DATE: April 3, 2018
A loving homage to the last baseball clown.
Max Patkin had a very long and rewarding career in baseball, but it wasn’t in the way he originally planned.
He was a good-enough pitcher to earn a place in the minor leagues. In 1942 he was sidelined by an injury and joined the Navy. After surgery he was good to go: to Hawaii to play baseball with other professional players as a way of entertaining the troops. He played with and against the likes of Pee Wee Reese and Joe DiMaggio. When DiMaggio hit a very long home run against him, Max followed him around the bases, mimicking his motions and garnering laughs and cheers from players and spectators. After the war he played in the minors again, but injuries ended his playing days. But his comic routines were remembered, and he was asked to perform at exhibition games all over the country. Everyone seemed to love his over-the-top slapstick and hilarious performances. Vernick displays warm affection for Patkin, describing his antics in amusing anecdotes that are followed by quoting his signature line, “True Story!” Bower’s colorful cartoons manage to capture the essence of Max’s goofy appearance and all-out efforts to elicit every bit of fun he could invent in the game he loved so much. It was a different time.
A loving homage to the last baseball clown. (author’s note, sources) (Picture book/ biography. 8-10)Pub Date: April 3, 2018
ISBN: 978-0-544-81377-9
Page Count: 40
Publisher: Clarion Books
Review Posted Online: Jan. 21, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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