Abandoned at birth, twin teen sisters Giselle and Ingrid discover that they’ve inherited a castle in the Orkneys from their father, Victor.
For giddy Giselle, it’s a once-in-a-lifetime chance to throw a huge party, with the likes of Lord Byron and the Shelleys on the guest list. For the more studious Ingrid, her father’s old journals—and the dusty science lab hidden underground—provide not only exciting insights into her father’s work, but also the tools with which to outfit Walter, the moody and disabled ex-soldier to whom she’s given her heart, with a new arm and leg. Weyn plays this unlikely scenario as gothic romance. She folds in stilted dialogue (“But we are entirely different in personality and presentation”), chapters written as alternating journal entries, and a supporting cast of historical figures and likely young men with varied agendas. There is also a sudden spate of local murders and occasional grisly details, such as a decayed but strangely familiar woman’s head that washes ashore. In the climactic flurry of revelations, it turns out that one sister is a decidedly unreliable narrator. This thriller is saddled with such a wildly contorted plot that readers may be more inclined to snort than sigh. (afterword) (Gothic romance. 11-14)
Pub Date: Jan. 1, 2013
ISBN: 978-0-545-42533-9
Page Count: 256
Publisher: Scholastic
Review Posted Online: Dec. 1, 2012
Kirkus Reviews Issue: Dec. 15, 2012
Not much forward momentum but a tasty array of chills, thrills, and chortles.
The victory of Jacob and his fellow peculiars over the previous episode’s wights and hollowgasts turns out to be only one move in a larger game as Riggs (Tales of the Peculiar, 2016, etc.) shifts the scene to America.
Reading largely as a setup for a new (if not exactly original) story arc, the tale commences just after Jacob’s timely rescue from his decidedly hostile parents. Following aimless visits back to newly liberated Devil’s Acre and perfunctory normalling lessons for his magically talented friends, Jacob eventually sets out on a road trip to find and recruit Noor, a powerful but imperiled young peculiar of Asian Indian ancestry. Along the way he encounters a semilawless patchwork of peculiar gangs, syndicates, and isolated small communities—many at loggerheads, some in the midst of negotiating a tentative alliance with the Ymbryne Council, but all threatened by the shadowy Organization. The by-now-tangled skein of rivalries, romantic troubles, and family issues continues to ravel amid bursts of savage violence and low comedy (“I had never seen an invisible person throw up before,” Jacob writes, “and it was something I won’t soon forget”). A fresh set of found snapshots serves, as before, to add an eldritch atmosphere to each set of incidents. The cast defaults to white but includes several people of color with active roles.
Not much forward momentum but a tasty array of chills, thrills, and chortles. (Horror/Fantasy. 12-14)Pub Date: Oct. 2, 2018
ISBN: 978-0-7352-3214-3
Page Count: 496
Publisher: Dutton
Review Posted Online: Sept. 1, 2018
Kirkus Reviews Issue: Sept. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A trilogy opener both rich and strange, if heavy at the front end.
Riggs spins a gothic tale of strangely gifted children and the monsters that pursue them from a set of eerie, old trick photographs.
The brutal murder of his grandfather and a glimpse of a man with a mouth full of tentacles prompts months of nightmares and psychotherapy for 15-year-old Jacob, followed by a visit to a remote Welsh island where, his grandfather had always claimed, there lived children who could fly, lift boulders and display like weird abilities. The stories turn out to be true—but Jacob discovers that he has unwittingly exposed the sheltered “peculiar spirits” (of which he turns out to be one) and their werefalcon protector to a murderous hollowgast and its shape-changing servant wight. The interspersed photographs—gathered at flea markets and from collectors—nearly all seem to have been created in the late 19th or early 20th centuries and generally feature stone-faced figures, mostly children, in inscrutable costumes and situations. They are seen floating in the air, posing with a disreputable-looking Santa, covered in bees, dressed in rags and kneeling on a bomb, among other surreal images. Though Jacob’s overdeveloped back story gives the tale a slow start, the pictures add an eldritch element from the early going, and along with creepy bad guys, the author tucks in suspenseful chases and splashes of gore as he goes. He also whirls a major storm, flying bullets and a time loop into a wild climax that leaves Jacob poised for the sequel.
A trilogy opener both rich and strange, if heavy at the front end. (Horror/fantasy. 12-14)Pub Date: June 7, 2011
ISBN: 978-1-59474-476-1
Page Count: 234
Publisher: Quirk Books
Review Posted Online: March 30, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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