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A WANT SO WICKED

Knowing that Charlotte doesn’t really face obliteration disappointingly defuses the suspense for all but the most avid fans.

High-school student Elise begins experiencing some very odd things that make her feel like some stranger is beginning to occupy her body.

That’s not surprising in this sequel (that can’t stand alone) to A Need So Beautiful (2011), which chronicled the poignant situation of angel-like being Charlotte, who had the need to intervene in troubled people’s lives but at the ultimate cost of both her own existence and all memory of it. Now readers discover that she’s back, not only greatly diminishing the impact of the first tale, but also limiting the threat of any perilous choices she now faces as she occupies the hapless Elise’s body and gradually rediscovers herself. Hunky romantic interest Harlin also returns, having conveniently been drawn to the love of his life in her new form, but he faces handsome potential rival Abe, who draws Elise into some believable teen situations. Onika, the evil temptress housed in an immortal—but nonetheless badly decayed—body, haunts Elise’s dreams and then turns up in the (decomposed) flesh, as well. Elise’s rebellious older sister Lucy, initially angst-ridden about her own issues, adds to the now-predictable conflicts that Charlotte/Elise must resolve before Charlotte can move on to a potential third book in the series.

Knowing that Charlotte doesn’t really face obliteration disappointingly defuses the suspense for all but the most avid fans. (Paranormal romance. 12 & up)

Pub Date: June 26, 2012

ISBN: 978-0-06-200826-8

Page Count: 288

Publisher: Balzer + Bray/HarperCollins

Review Posted Online: April 10, 2012

Kirkus Reviews Issue: May 1, 2012

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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  • New York Times Bestseller

A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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