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A CURIOUS INVITATION

THE FORTY GREATEST PARTIES IN FICTION

Like the chatter at a cocktail party: fun but forgettable.

Events promoter Field summarizes soirees that only happen between the covers of a book—or when her Last Tuesday Society reproduces them in London.

Though it begins with Trimalchio’s first-century frolic from The Satyricon and closes with an excessive 2008 feast featuring endangered species from DBC Pierre’s Lights Out in Wonderland, Field’s scattershot collection doesn’t otherwise progress in chronological order—or any other discernible kind of order. The final few get-togethers are fairly apocalyptic: The high school prom turns bloody in Carrie; partygoers eat the dead guest of honor in Finnegan’s Wake; and Randle McMurphy’s shindig in One Flew Over the Cuckoo’s Nest results in a lobotomy for the host, though Pierre’s hero/caterer does have second thoughts about serving up a 100-year-old Galapagos tortoise in the final entry. Field does have a format for presenting the individual parties, from The Invitation through The Guest List to The Outcome and The Legacy, but it’s mostly an excuse to make reasonably amusing wisecracks about how English writers never describe the food and condescending takedowns of writers more talented than she is. Granted, it’s hard not to giggle when Field opines that if Frodo had known that the gift he got at Uncle Bilbo’s Eleventy-First Birthday Party was the Ring of Doom, he could have saved himself “all the aggro and bother it would cause him over the next thousand pages or so.” Unfortunately, too much of the humor is on the level of this: “Plato is perhaps best remembered these days in the term ‘platonic love,’ but, as we see…he didn’t rule out a bit of rumpy-pumpy on the path to enlightenment.” Still, Field’s once-over-lightly approach will probably please undemanding folks looking for a few laughs while they obtain simple takeaways on books they’ll never read: The Brothers Karamazov, Gravity’s Rainbow and The Prose Edda are among the more daunting works digested, though Hollywood Wives adds a bit of trashy fluff.

Like the chatter at a cocktail party: fun but forgettable.

Pub Date: Oct. 15, 2013

ISBN: 978-0-06-227183-9

Page Count: 320

Publisher: Perennial/HarperCollins

Review Posted Online: July 20, 2013

Kirkus Reviews Issue: Aug. 1, 2013

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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