by Suzette Field ‧ RELEASE DATE: Oct. 15, 2013
Like the chatter at a cocktail party: fun but forgettable.
Events promoter Field summarizes soirees that only happen between the covers of a book—or when her Last Tuesday Society reproduces them in London.
Though it begins with Trimalchio’s first-century frolic from The Satyricon and closes with an excessive 2008 feast featuring endangered species from DBC Pierre’s Lights Out in Wonderland, Field’s scattershot collection doesn’t otherwise progress in chronological order—or any other discernible kind of order. The final few get-togethers are fairly apocalyptic: The high school prom turns bloody in Carrie; partygoers eat the dead guest of honor in Finnegan’s Wake; and Randle McMurphy’s shindig in One Flew Over the Cuckoo’s Nest results in a lobotomy for the host, though Pierre’s hero/caterer does have second thoughts about serving up a 100-year-old Galapagos tortoise in the final entry. Field does have a format for presenting the individual parties, from The Invitation through The Guest List to The Outcome and The Legacy, but it’s mostly an excuse to make reasonably amusing wisecracks about how English writers never describe the food and condescending takedowns of writers more talented than she is. Granted, it’s hard not to giggle when Field opines that if Frodo had known that the gift he got at Uncle Bilbo’s Eleventy-First Birthday Party was the Ring of Doom, he could have saved himself “all the aggro and bother it would cause him over the next thousand pages or so.” Unfortunately, too much of the humor is on the level of this: “Plato is perhaps best remembered these days in the term ‘platonic love,’ but, as we see…he didn’t rule out a bit of rumpy-pumpy on the path to enlightenment.” Still, Field’s once-over-lightly approach will probably please undemanding folks looking for a few laughs while they obtain simple takeaways on books they’ll never read: The Brothers Karamazov, Gravity’s Rainbow and The Prose Edda are among the more daunting works digested, though Hollywood Wives adds a bit of trashy fluff.
Like the chatter at a cocktail party: fun but forgettable.Pub Date: Oct. 15, 2013
ISBN: 978-0-06-227183-9
Page Count: 320
Publisher: Perennial/HarperCollins
Review Posted Online: July 20, 2013
Kirkus Reviews Issue: Aug. 1, 2013
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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