by Sven Beckert ‧ RELEASE DATE: April 1, 2001
“New York has taught me to put capital and capitalists closer to the center of modern history,” Beckert writes. His account...
A fascinating history of New York during the late 19th-century, a time when big money was changing the face of the city.
The word “bourgeoisie” doesn’t get much of a workout these days, now that Marxist-tinged analyses of the world have become suspect even within academia. But Beckert (History/Harvard Univ.) employs the term fearlessly to describe New York’s mercantile class, whose members, in the early decades of the 19th century, tended to lead quiet, unostentatious private lives. That class, which included large numbers of traders and ship owners, owed much of its wealth to the international cotton trade, which bound New York to the South (and, in large measure, explains why the city gave only lukewarm support to the Union cause during much of the Civil War). In the postwar era, Beckert writes, the merchants’ power was eroded by a new kind of capitalist, the manufacturer. Many of these newly wealthy industrialists, who profited greatly from the war and worked their way up from the shop floor to ownership, were inclined to more public displays of wealth. Shunned as arrivistes, they nonetheless gained supremacy over the better-established merchants. What is more, they had a stronger grasp of politics, and through various mechanisms they remade city and, later, state government into an arm that served their interests with private legislation and other species of cronyism. The new plutocracy asserted itself with huge mansions, soirees that aped the manners of the European nobility (the author often returns to a fancy dress party at the end of the century, to which dozens of New York’s grandes dames came costumed as Marie Antoinette—whose fate, “they confidently believed, would not be theirs”), and other unsubtle displays of conspicuous consumption. Their arrival on the scene, Beckert insists, added a new dimension to the history of class struggle—and their influence on American politics endures in the age of Bill Gates and Warren Buffett.
“New York has taught me to put capital and capitalists closer to the center of modern history,” Beckert writes. His account is a dazzlingly successful exercise in doing just that.Pub Date: April 1, 2001
ISBN: 0-521-79039-5
Page Count: 468
Publisher: Cambridge Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2001
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by Richard Sennett ‧ RELEASE DATE: Sept. 1, 1994
An expansive history of Western civilization's evolving conception of the human body and that concept's influence on the erection of cities. Sennett (Sociology/New York Univ.; The Conscience of the Eye, 1991, etc.) argues that the homogenization of contemporary culture is aided and abetted by the failure of modern architecture and urban planning to accommodate the physical and sensory needs of the human body. This is more than mere postmodern sterility to Sennett. He sees this failing as an extension of the ``enduring problem'' of Western civilization: the inability or refusal of those with the power to build cities to honor ``the dignity of the body and diversity of human bodies.'' From Pericles' Athens to Robert Moses's New York, Sennett incorporates discussions of sexuality, religion, politics, medicine, and economics into a historical grand tour of great cities whose buildings, streets, and public squares elevated the status of the ruling elite and diminished that of common citizens. Along the way, we find out how it felt to witness an execution by guillotine in revolutionary Paris, attend a Roman banquet, and observe a trial in ancient Greece, where courtrooms reflected the demands of a participatory democracy—three-foot-high walls and a jury box big enough for the minimum 201 jurors. Though Sennett ably surveys the ideological landscapes of the ancient, medieval, and modern worlds, these quotidian revelations are what enliven the book. By exposing the principles of individualism and personal comfort that form the most fundamental assumptions of 20th-century consumer culture, Sennett reminds modern readers that they trade a great deal for comfort—namely their engagement with one another. In so doing, he debunks the myth that the evolution of cities has been one of unfettered progress, or that progress is synonymous with improvement. Passionate, exhaustively researched, and original. (Photos and maps, not seen)
Pub Date: Sept. 1, 1994
ISBN: 0-393-03684-7
Page Count: 448
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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by John Simpson ‧ RELEASE DATE: Sept. 1, 1994
A memorable report of a monthlong 1992 expedition to Peru, featuring daring, drugs, and despotism. BBC reporter Simpson (Despatches from the Barricades, 1991) loves a good story, and Peru—source of most of the world's cocaine and home of both the relentless Shining Path guerrilla movement and an army unburdened by procedural niceties—seemed like a natural place to find one. He planned, with a group of colleagues, to cover the drug problem and the political situation for the BBC and other news organizations. But before describing this trip he whets readers' appetites with engaging preliminary tales of a trip from Brazil to visit forest-dwelling Indians and his subsequent negotiations from London over the logistics of the Peruvian trip. Arrived in Lima, Simpson and his team learn that the Peruvian police have captured Shining Path leader Abimael Guzman. Simpson's interviews show the manhunt leader to be one of the government's few committed democrats, while President Alberto Fujimori, who has suspended the constitution, wriggles out of tough questions. Navigating Peru's coca-growing region, an area off-limits to foreigners, Simpson's team, aided by a brave Peruvian journalist and some rickety forms of transport, has several adventures: They take testimony about army human-rights violations, meet a former official willing to testify about army corruption, and escape some menacing local army potentates, whom they manage to film before fleeing. Amid the tension, there is macabre humor, as when a Peruvian journalist composes for Simpson a fawning letter asking to interview a local drug lord (``Our news...has 99 per cent credibility among the people of Europe''). Simpson leaves Peru after getting the country's vice president, Maximo San Roman, on camera calling Fujimori ``the front man'' for a regime linked with drug traffickers. A good yarn with an appealing protagonist that inspires sadness for the Peruvian people and much distaste for their government. (8 pages b&w photos)
Pub Date: Sept. 1, 1994
ISBN: 0-679-43297-3
Page Count: 320
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1994
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