by Svetlana Grobman ‧ RELEASE DATE: April 15, 2015
An intimate look at a young woman’s struggle to find her own truth in a repressive society.
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Grobman’s debut memoir explores her childhood in the Soviet Union.
The author was born into a Jewish family in Moscow in 1951, near the end of Josef Stalin’s reign. As a child, Grobman shared the experiences common to other urban Russians of her generation: overcrowded housing, summertime trips to dachas, enforced social conformity. From an early age, she escaped her Soviet reality by reading stories, beginning with folk tales about mythical figures such as Baba Yaga. When she began school, though, she was indoctrinated into the communist system. Portraits of Vladimir Lenin and Nikita Khrushchev hung on the classroom walls, alongside banners proclaiming, “Thank You Our Dear Communist Party for Our Happy Childhood!” Grobman initially accepted this dogma, but at the same time, she was aware that her family was different than their neighbors’; they were Jews in a society which didn’t tolerate ethnic minorities. Her family conversed in Yiddish at home but didn’t allow her to learn the language for fear that she would stand out and be persecuted. As Grobman entered her teenage years, her eyes began to open to her native country’s brutality and to the past traumas that her family suffered at the hands of both the Nazis and Stalin. Although history looms heavily in the background of the memoir, the author’s accounts of her young life are informed more by her day-to-day experiences with her family, school, and neighborhood than by the broader political situation. The book isn’t filled with drama; rather, most episodes focus on subtler problems arising from the daily indignities of communism, long-simmering family issues, and societal anti-Semitism. The prose is readable and familiar, creating an effect much like listening to a relative recount family stories. Each chapter functions as a stand-alone tale, depicting not only a moment in Grobman’s childhood, but also an aspect of Soviet life. Overall, although this memoir delivers few great revelations and breaks little new ground, it does provide a relatable, personal portrait of Jewish life in Soviet Moscow in the 1950s and ’60s.
An intimate look at a young woman’s struggle to find her own truth in a repressive society.Pub Date: April 15, 2015
ISBN: 978-0692312285
Page Count: -
Publisher: Musings Publishing
Review Posted Online: Feb. 28, 2015
Kirkus Reviews Issue: April 1, 2015
Review Program: Kirkus Indie
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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