This early chapter book, translated from the French, tackles some weighty subjects and, sadly, is all but drowned by them. Raffi and Carlito set out to befriend a new girl, Fatima, whose headscarf has made her the target of the school bullies—the same bullies who taunt Raffi because he uses crutches due to his sickle-cell anemia. When Raffi asks his parents why Arab girls wear headscarves, they warn him not to “confuse Arab and Muslim.” When a neighbor reveals that he and his wife avoid the new family, Carlito asks Raffi why this is. Raffi explains clearly but with no regard to natural-sounding dialogue: “Oh, that’s just the way the Raycrofts are. They’re always afraid of people they don’t know. It’s called prejudice. They were afraid of us at the beginning, because we’re black.” Once the two boys find Fatima, they discover that she has bigger problems than the school bullies. It seems her father returned to the old country to pick up Fatima’s grandmother just as the country had broken into war, and Fatima and her mother are sick with worry as they await his return. This overly ambitious title could definitely spark discussion about bullying, violence, prejudice and war, but that presumes that someone can convince children to read it first. (Fiction. 6-10)
Pub Date: March 1, 2011
ISBN: 978-0-88780-933-0
Page Count: 64
Publisher: Formac
Review Posted Online: Feb. 10, 2011
Kirkus Reviews Issue: Feb. 15, 2011
Another winner from Mills, equally well suited to reading aloud and independent reading.
When Franklin School principal Mr. Boone announces a pet-show fundraiser, white third-grader Cody—whose lack of skill and interest in academics is matched by keen enthusiasm for and knowledge of animals—discovers his time to shine.
As with other books in this series, the children and adults are believable and well-rounded. Even the dialogue is natural—no small feat for a text easily accessible to intermediate readers. Character growth occurs, organically and believably. Students occasionally, humorously, show annoyance with teachers: “He made mad squinty eyes at Mrs. Molina, which fortunately she didn’t see.” Readers will be kept entertained by Cody’s various problems and the eventual solutions. His problems include needing to raise $10 to enter one of his nine pets in the show (he really wants to enter all of them), his troublesome dog Angus—“a dog who ate homework—actually, who ate everything and then threw up afterward”—struggles with homework, and grappling with his best friend’s apparently uncaring behavior toward a squirrel. Serious values and issues are explored with a light touch. The cheery pencil illustrations show the school’s racially diverse population as well as the memorable image of Mr. Boone wearing an elephant costume. A minor oddity: why does a child so immersed in animal facts call his male chicken a rooster but his female chickens chickens?
Another winner from Mills, equally well suited to reading aloud and independent reading. (Fiction. 7-10)Pub Date: June 14, 2016
ISBN: 978-0-374-30223-8
Page Count: 144
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 15, 2016
Kirkus Reviews Issue: April 1, 2016
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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