The text and visuals combine for an educational, eye-opening experience.

BLACK POWER 50

An illuminating text accompanies visuals from an exhibit commemorating the 50th anniversary of the Black Power movement.

The very phrase “black power” continues to polarize, making some fearful and others proud, often along racial lines. The editors recognize that Black Power remains “one of the least understood and most criminalized and vilified movements in American history” as well as one that, as the opening chapter puts it, “is still too often viewed as a destructive, short-lived, and politically ineffectual movement that triggered white backlash, resulted in urban rioting, and severely crippled the mainstream civil rights movement.” Though it lasted little more than a decade, undermined by the FBI and other official provocation and internal dissension, its legacy seems more vital than ever, as the Black Lives Matter movement and the racial conflagrations in cities across the country suggest how much has and hasn’t been accomplished. Chapters from academic researchers and testimonies from participants (including Kathleen Cleaver) suggest the range of the movement’s impact and implications, how it spawned similar movements among Asian Americans, Latinos, and American Indians while exhibiting a militancy that would transform progressive activism at large, as well as how it ultimately transcended both racial and national boundaries as a force for human rights. This heavily illustrated book serves as a catalog of sorts for a similarly titled exhibition curated by the Schomburg Center for Research in Black Culture, and it reflects a legacy that encompasses arts and culture (from poetry to visual arts to free jazz), educational initiatives, prison reform, and even fashion. It also illuminates how schisms between the more politically radical Marxists and those who focused more on culture and were less politically doctrinaire resulted in tensions that caused the movement to crumble from within as police and FBI officials presented plenty of outside pressure (often beyond legalities).

The text and visuals combine for an educational, eye-opening experience.

Pub Date: Sept. 6, 2016

ISBN: 978-1-62097-148-2

Page Count: 160

Publisher: The New Press

Review Posted Online: July 4, 2016

Kirkus Reviews Issue: July 15, 2016

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ALL THE PRESIDENT'S MEN

Bernstein and Woodward, the two Washington Post journalists who broke the Big Story, tell how they did it by old fashioned seat-of-the-pants reporting — in other words, lots of intuition and a thick stack of phone numbers. They've saved a few scoops for the occasion, the biggest being the name of their early inside source, the "sacrificial lamb" H**h Sl**n. But Washingtonians who talked will be most surprised by the admission that their rumored contacts in the FBI and elsewhere never existed; many who were telephoned for "confirmation" were revealing more than they realized. The real drama, and there's plenty of it, lies in the private-eye tactics employed by Bernstein and Woodward (they refer to themselves in the third person, strictly on a last name basis). The centerpiece of their own covert operation was an unnamed high government source they call Deep Throat, with whom Woodward arranged secret meetings by positioning the potted palm on his balcony and through codes scribbled in his morning newspaper. Woodward's wee hours meetings with Deep Throat in an underground parking garage are sheer cinema: we can just see Robert Redford (it has to be Robert Redford) watching warily for muggers and stubbing out endless cigarettes while Deep Throat spills the inside dope about the plumbers. Then too, they amass enough seamy detail to fascinate even the most avid Watergate wallower — what a drunken and abusive Mitchell threatened to do to Post publisher Katherine Graham's tit, and more on the Segretti connection — including the activities of a USC campus political group known as the Ratfuckers whose former members served as a recruiting pool for the Nixon White House. As the scandal goes public and out of their hands Bernstein and Woodward seem as stunned as the rest of us at where their search for the "head ratfucker" has led. You have to agree with what their City Editor Barry Sussman realized way back in the beginning — "We've never had a story like this. Just never."

Pub Date: June 18, 1974

ISBN: 0671894412

Page Count: 372

Publisher: Simon & Schuster

Review Posted Online: Oct. 10, 2011

Kirkus Reviews Issue: June 1, 1974

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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