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AT THE THRESHOLD OF THE UNIVERSE

A satisfying, action-packed climax to a sprawling space epic.

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Humankind fled to a mysterious planet to escape hideous cyborgs, but now they find themselves confronting the monstrous machine-creatures again in this SF series installment.

Bruno concludes a trilogy with this volume, begun with In the Orbit of Sirens (2020). In a spacegoing future, human refugees fled their home system to avoid the Undriel, a shape-shifting cyborg race determined to assimilate all humanoids. A generation later, on the distant world of Kamaria, the settlers assume the danger is behind them—but then an Undriel dreadnought, hundreds of years old, rises from hibernation in the sea. Kamaria already has a native population of technologically advanced bird-people, the auk’nai, who’ve suffered grievously due to the actions of the new human arrivals. The relationship between humans and the auk’nai are at a low point as the new Undriel threat dawns, but a few key colonists from the science-minded family of resourceful Denton Castus have tapped into Kamaria’s primordial forces and may hold keys to fighting back. Bruno has infused the material with massive amounts of extraterrestrial mythology, alien (and avian) metaphysics, and seemingly supernatural events that may puzzle even regular readers of SF/fantasy. However, these same fans will have no problem grokking the horrific, engaging Undriel, who are reminiscent of the Borg from the Star Trek franchise as well as the Decepticons from the Transformers films; they’ll also appreciate the wily strategies to probe the weaknesses of this relentless, grotesque foe. The hefty book features a storm of kinetic battles that should satisfy readers who enjoy video game boss fights. In the hands of a lesser storyteller, the mayhem might have become a dizzying maelstrom, but Bruno manages to efficiently pull all the narrative strands together, thanks in part to scenes involving a psychic power called “Shade walking,” which provides exposition and breathing space.

A satisfying, action-packed climax to a sprawling space epic.

Pub Date: May 31, 2022

ISBN: 978-1-73464-709-9

Page Count: 494

Publisher: Tom Bruno Author

Review Posted Online: June 28, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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  • New York Times Bestseller

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE MAN WHO DIED SEVEN TIMES

A fresh and clever whodunit with an engaging twist.

A 16-year-old savant uses his Groundhog Day gift to solve his grandfather’s murder.

Nishizawa’s compulsively readable puzzle opens with the discovery of the victim, patriarch Reijiro Fuchigami, sprawled on a futon in the attic of his elegant mansion, where his family has gathered for a consequential announcement about his estate. The weapon seems to be a copper vase lying nearby. Given this setup, the novel might have proceeded as a traditional whodunit but for two delightful features. The first is the ebullient narration of Fuchigami’s youngest grandson, Hisataro, thrust into the role of an investigator with more dedication than finesse. The second is Nishizawa’s clever premise: The 16-year-old Hisataro has lived ever since birth with a condition that occasionally has him falling into a time loop that he calls "the Trap," replaying the same 24 hours of his life exactly nine times before moving on. And, of course, the murder takes place on the first day of one of these loops. Can he solve the murder before the cycle is played out? His initial strategies—never leaving his grandfather’s side, focusing on specific suspects, hiding in order to observe them all—fall frustratingly short. Hisataro’s comical anxiety rises with every failed attempt to identify the culprit. It’s only when he steps back and examines all the evidence that he discovers the solution. First published in 1995, this is the first of Nishizawa’s novels to be translated into English. As for Hisataro, he ultimately concludes that his condition is not a burden but a gift: “Time’s spiral never ends.”

A fresh and clever whodunit with an engaging twist.

Pub Date: July 29, 2025

ISBN: 9781805335436

Page Count: 288

Publisher: Pushkin Vertigo

Review Posted Online: July 4, 2025

Kirkus Reviews Issue: Aug. 1, 2025

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