A solidly entertaining and sometimes enthralling interplanetary yarn.
In Bruno’s debut SF series starter, refugees of a cyborg invasion colonize a distant, exotic world only to find bizarre and terrifying new threats.
In the future, humans on Earth have had to contend with an uprising of cyborgs called the Undriel, who are reminiscent of the Borg of the Star Trek universe. Human survivors in a war spanning the solar system wind up making a final stand on Ganymede, a moon of Jupiter. The Undriel overwhelm them, but young mechanic Denton Castus and his family manage to flee just in time by joining tens of thousands of humans in stasis as part of a desperate plan called the Telemachus Project. They take a 300-year flight to a habitable planet called Kamaria, which is “Earth-like, but different from Earth in a lot of ways.” For example, the exotic and potentially dangerous life-forms, from airborne bacteria to a race of technologically advanced, psychic flying humanoids called the Auk’nai, are very different, indeed. In a flashback, a previous Telemachus Project ship lands on Kamaria and its passengers make a tentative accord with the Auk’nai and explore the immediate vicinity, which includes a forbidding, abandoned city. There, a malevolent influence possesses war hero Roelin Raike. The two story threads come together when Denton awakens on Kamaria and integrates into the colonists’ society, where a long-ago incomprehensible crime is a lingering trauma. Before long, Denton also begins to feel the same psychic presence that afflicted Raike. Bruno is a highly imaginative and natural storyteller, conjuring numerous technologies, cultures, and creatures and providing a particularly spectacular ending. SF fans may detect echoes of H.P. Lovecraft’s work, TV’s Babylon Five, the blockbuster film Avatar, and other works; the smoothly polished prose and snappy pace are reminiscent of a no-nonsense master thriller author such as Alistair Maclean. The technology and biology descriptions don’t get in the way of the suspense, and the references to ancient Greek legend sharpen the backstory of Kamaria’s godlike aliens, who do indeed seem mythic. Hall’s illustrations feel like a tribute to the material’s stated origin—a comic book that Bruno created in elementary school.
A solidly entertaining and sometimes enthralling interplanetary yarn.Pub Date: Oct. 4, 2020
ISBN: 978-1-73464-701-3
Page Count: 514
Publisher: Self
Review Posted Online: Jan. 15, 2021
Kirkus Reviews Issue: March 1, 2021
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A cleverly titled, cozy SF romance that marks Thorne as a writer to watch.
After purchasing a dilapidated, century-old starship called the Destitute, Torian Razner discovers that the moss covering it is, in fact, a deeply sarcastic sentient computer with abandonment issues.
Torian’s sister, Celise, is dying. Determined to save her life by getting her to a distant planet with air she can breathe, Torian ignores her former captain Amelia Perrosk’s warning that it’s an impossible task (along with any romantic feelings she might have for Amelia). Using the only ionite bars she has to her name, Torian purchases an ancient, moss-covered alien starship that appears to be on its last legs, so to speak. She hardly expected the moss to be a sentient computer or for it to hold a century-old grudge against its former alien captain. Moss quickly proves itself to be acerbic, intelligent, and rightly angry after being having been left behind for 100 years by its former captain. The two form a reluctant and surprising alliance, Torian proving to Moss that not all captains are “dog-turd fungus,” and they both gradually evolve into the best versions of themselves, human or otherwise. It’s obvious from the early pages that Thorne has crafted a story tailored to fans of Becky Chambers’ Monk & Robot series and Martha Wells’ Murderbot Diaries. Falling somewhere between the two, this is a delightful mashup of romance, found family, and a touch of violence as Moss grapples with its feelings about its former captain and the unexpected kindness that Torian shows. Sweet without being overly saccharine, it’s a book for readers who want the adventure that comes with the vastness of outer space without its harsher realities.
A cleverly titled, cozy SF romance that marks Thorne as a writer to watch.Pub Date: July 7, 2026
ISBN: 9781250414144
Page Count: 368
Publisher: Bramble Books
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
BOOK REVIEW
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.
When a bunch of corporate assholes mark their planet for destruction, a garage band of colonists must defend their home world with the power of rock.
Slightly sidestepping his frenetic litRPG—literary role-playing game—doorstoppers, here Dinniman takes on capitalism, propaganda, xenophobia, and violence as entertainment. Thankfully for readers, it’s all wrapped in the usual profane, adolescent humor, and SF readers will have a ball. A couple of hundred years after they left Earth, the inhabitants of the interstellar colony of New Sonora weren’t expecting much in the way of new threats, especially after a mysterious illness killed almost everyone between the ages of 30 and 60. That disaster left only the young and the old on the populated planet, where farming is enabled by highly accelerated AI and people are generally cool with each other. But when drummer Oliver Lewis stumbles across a foul-mouthed killer mech piloted by a child, he realizes that something’s definitely fishy. Earth, it seems, has classified the New Sonorans as non-human and scheduled their destruction as a paid, five-day combat game. Apex Industries, led by lead mercenary Eli Opel, has reverse-engineered Ender’s Game and is turning loose its players with real bullets and bombs on the population of New Sonora. The resistance is a weird bunch, led by proto-slacker Oliver; his little sister, Lulu; and his ex-girlfriend, documentary filmmaker and burgeoning revolutionary Rosita Zapatero, as well as the other members of Oliver’s band, the Rhythm Mafia. Thankfully, they also have Roger, the last functioning AI on the planet, though Oliver’s grandfather permanently programmed it to nannybot mode as a dying joke. Call the book overlong—the battle scenes often feel like watching someone play a videogame—but the humor and the execution are cutting without being mean and there’s almost always a point.
A disarmingly heartfelt space adventure that dares to suggest genocide might be a bad business.Pub Date: Feb. 10, 2026
ISBN: 9780593820308
Page Count: 448
Publisher: Ace/Berkley
Review Posted Online: Dec. 12, 2025
Kirkus Reviews Issue: Jan. 15, 2026
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
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