A fresh and charmingly narrated look at teens and gender, but the worldbuilding is distractingly bizarre.
On the morning of the first day of high school, a boy named Ethan wakes up as a girl named Drew.
Turns out Drew is a Changer, one of “an ancient race of humans” who wake up as a different person on the first day of each year of high school (how ancient Changers transformed before the existence of high schools is one of many questions left oddly unaddressed). Similarly, readers learn that Changers will “help make the world a better place,” that Changers see non-Changers’ (aka Statics’) futures when they kiss, and that all Changers wear an emblem branded on their hips—but they are never told why these things are true nor what’s wrong with the world and how Changers will help. Drew’s narrative voice is engaging, often sarcastic and sometimes poignant. Her outsider observations about how it feels to be a girl and how girls are treated are genuine, keenly observed and sometimes funny (“Also, girls aren’t allowed to fart. Ever”). Two love interests develop for Drew, a Changer boy and a Static girl, and their genders are, refreshingly, a nonissue, though Drew’s interest in a Changer violates another seemingly arbitrary Changer rule against Changer-Changer liaisons.
A fresh and charmingly narrated look at teens and gender, but the worldbuilding is distractingly bizarre. (Urban fantasy. 12-18)Pub Date: Feb. 4, 2014
ISBN: 978-1-61775-211-7
Page Count: 256
Publisher: Black Sheep/Akashic
Review Posted Online: Nov. 26, 2013
Kirkus Reviews Issue: Dec. 15, 2013
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
© Copyright 2026 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
