A mixed bag plotwise, but Oryon's humor and insight will keep readers turning pages.
The body-swapping Changer who spent her freshman year of high school as Drew (Changers: Drew, 2014) now spends his sophomore year as Oryon.
Changers spend each year as a different version, or V, and must keep their true nature hidden from non-Changer Statics. For Oryon, this means remeeting Audrey, the girl he fell in love with last year as Drew, as a stranger. The only people who stay in Oryon's life are his family, his Changer mentor, Tracy, and Chase, another Changer Oryon's age who is part of the Radical Changer movement that challenges the Changers Council's stringent rules. This sequel's worldbuilding still leaves questions unanswered, but Oryon's winning and witty narrative voice is consistently engaging. Unlike Drew or his parents, Oryon is African-American, and much of what he observes is about race: He is newly welcome at the Black Table in the cafeteria, for instance, but treated with suspicion when he brings the family pit bull to a dog park. Oryon's budding (or rebudding) romance with Audrey raises thought-provoking questions and creates tension with the Changers Council. An abrupt climax, however, interrupts the plotline and leaves both the romance and the sudden climactic action unresolved.
A mixed bag plotwise, but Oryon's humor and insight will keep readers turning pages. (Science fiction. 12-18)Pub Date: April 7, 2015
ISBN: 978-1-61775-307-7
Page Count: 298
Publisher: Black Sheep/Akashic
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK TO SCREEN
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
BOOK REVIEW
BOOK REVIEW
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