Transcendent contemporary American literary fiction, a rich and passionate story rewarding enough to be read again.
Afghanistan's brutal war and Hurricane Katrina's ominous shadow haunt Johnson’s powerful literary debut.
It is 2004, and Achilles and Troy Conroy return home to once-rural, now McMansion-ed, Maryland after tours in the same airborne infantry squad in “Goddamnistan.” The brothers expect a surprise party, but the surprise is that their father had been killed in an auto accident just as they began transit home. That shock is compounded by news that their parents had been living apart. The brothers are African-American, and their parents white. Their mother gives them each an envelope that contains information about their biological parents. Achilles refuses to open his envelope, while Troy, the younger, sets off in pursuit of his history without telling either his mother or brother. Johnson's descriptions of the very different brothers, of anecdotes from Afghanistan and of New Orleans are brilliant. Wages, Achilles' squad leader in "Goddamnistan," calls and reports that he has seen Troy in New Orleans. Achilles pursues Troy there, ostensibly for his mother, for family, but truly because he has been his brother’s keeper since youth. Troy searches drug dens, morgues and shelters for Troy without success, but over the months there, he meets and becomes lovers with Ines Delesseppes, a shelter coordinator he first believes to be white. But the Delesseppes family, ensconced in the Garden District since 1806, is thoroughly New Orleans, “we’re Creole, not mulatto, or octoroon or quadroon,” a mixture Ines celebrates in spite of her white appearance. Achilles, Troy, Ines and the men of the infantry squad are archetypical yet singularly distinctive, thoroughly and believably human. The depth, complexity and empathy within Johnson’s narrative explores issues great and small—race, color and class, the wounds of war suffered by individuals and nations, the complications and obligations of brotherhood and familial love.
Transcendent contemporary American literary fiction, a rich and passionate story rewarding enough to be read again.Pub Date: Sept. 11, 2012
ISBN: 978-1-56689-309-1
Page Count: 340
Publisher: Coffee House
Review Posted Online: Aug. 1, 2012
Kirkus Reviews Issue: Aug. 15, 2012
BOOK REVIEW
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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