SUMMER OF FEAR

In three novels, Parker (Pacific Beat; Little Saigon; Laguna Beach) has proven himself a master of the California thriller. So he can be forgiven for this ill-crafted amalgam of serial-killer chiller and tragic love story. Parker's narrator here is Russ Monroe, true-crime author and reporter for the Laguna Journal. As the story begins, two calamities plague Monroe: the slow death of his wife, Isabella, from a brain tumor; and the murder of his ex-lover, supermodel Amber Mae Wilson, whose savaged body Monroe finds in her home. Amber's death bears the hallmarks of the serial killer known as the Midnight Eye—except that, just before Monroe entered Amber's home, he spied Amber's ex-husband, Laguna homicide cop Martin Parish, wiping fingerprints off the outside gate. When the crime isn't reported, Monroe returns to the killing ground and finds the body missing but Parish lurking about. Monroe suspects Parish of the crime, while Parish claims innocence and accuses, then tries to frame, Monroe: Both are in Amber's will. But soon Amber herself surfaces—the victim was in fact her look-alike sister, Alice—even as Monroe and Amber's daughter turns up (did she help do away with Alice?), and as the Midnight Eye takes to calling Monroe at home, ranting about his crimes. Meanwhile, Isabella deteriorates—and endures an operation—as Monroe grieves for her and for his inability to save her, despite his pleasure in helping to i.d. the Midnight Eye, who escapes to N.Y.C. And then yet another possible Alice-killer surfaces—and he owns a copy of Bret Easton Ellis's American Psycho.... A soggy, slow-moving fog—out of which, however, the subplot of the writer and his doomed wife glows with heart-stirring radiance.

Pub Date: July 30, 1993

ISBN: 0312952376

Page Count: 384

Publisher: St. Martin's

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 1993

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No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.

FLESH AND BLOOD

Happy birthday, Dr. Kay Scarpetta. But no Florida vacation for you and your husband, FBI profiler Benton Wesley—not because President Barack Obama is visiting Cambridge, but because a deranged sniper has come to town.

Shortly after everyone’s favorite forensic pathologist (Dust, 2013, etc.) receives a sinister email from a correspondent dubbed Copperhead, she goes outside to find seven pennies—all polished, all turned heads-up, all dated 1981—on her garden wall. Clearly there’s trouble afoot, though she’s not sure what form it will take until five minutes later, when a call from her old friend and former employee Pete Marino, now a detective with the Cambridge Police, summons her to the scene of a shooting. Jamal Nari was a high school music teacher who became a minor celebrity when his name was mistakenly placed on a terrorist watch list; he claimed government persecution, and he ended up having a beer with the president. Now he’s in the news for quite a different reason. Bizarrely, the first tweets announcing his death seem to have preceded it by 45 minutes. And Leo Gantz, a student at Nari’s school, has confessed to his murder, even though he couldn’t possibly have done it. But these complications are only the prelude to a banquet of homicide past and present, as Scarpetta and Marino realize when they link Nari’s murder to a series of killings in New Jersey. For a while, the peripheral presence of the president makes you wonder if this will be the case that finally takes the primary focus off the investigator’s private life. But most of the characters are members of Scarpetta’s entourage, the main conflicts involve infighting among the regulars, and the killer turns out to be a familiar nemesis Scarpetta thought she’d left for dead several installments back. As if.

No wonder Scarpetta asks, “When did my workplace become such a soap opera?” Answer: at least 10 years ago.

Pub Date: Nov. 11, 2014

ISBN: 978-0-06-232534-1

Page Count: 400

Publisher: Morrow/HarperCollins

Review Posted Online: July 23, 2014

Kirkus Reviews Issue: Sept. 15, 2014

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THE BLACK ECHO

Big, brooding debut police thriller by Los Angeles Times crime-reporter Connelly, whose labyrinthine tale of a cop tracking vicious bank-robbers sparks and smolders but never quite catches fire. Connelly shows off his deep knowledge of cop procedure right away, expertly detailing the painstaking examination by LAPD homicide detective Hieronymus (Harry) Bosch of the death-scene of sometime junkie Billy Meadows, whom Bosch knew as a fellow "tunnel rat" in Vietnam and who's now o.d.'d in an abandoned water tunnel. Pushing Meadows's death as murder while his colleagues see it as accidental, Bosch, already a black sheep for his vigilante-like ways, further alienates police brass and is soon shadowed by two nastily clownish Internal Affairs cops wherever he goes—even to FBI headquarters, which Bosch storms after he learns that the Bureau had investigated him for a tunnel-engineered bank robbery that Meadows is implicated in. Assigned to work with beautiful, blond FBI agent Eleanor Wish, who soon shares his bed in an edgy alliance, Bosch comes to suspect that the robbers killed Meadows because the vet pawned some of the loot, and that their subsequent killing of the only witness to the Meadows slaying points to a turned cop. But who? Before Bosch can find out, a trace on the bank-robbery victims points him toward a fortune in smuggled diamonds and the likelihood of a second heist—leading to the blundering death of the IAD cops, the unveiling of one bad cop, an anticipated but too-brief climax in the L.A. sewer tunnels, and, in a twisty anticlimax, the revelation of a second rotten law officer. Swift and sure, with sharp characterizations, but at heart really a tightly wrapped package of cop-thriller cliches, from the hero's Dirty Harry persona to the venal brass, the mad-dog IAD cops, and the not-so-surprising villains. Still, Connelly knows his turf and perhaps he'll map it more freshly next time out.

Pub Date: Jan. 21, 1992

ISBN: 0-316-15361-3

Page Count: 400

Publisher: Little, Brown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Nov. 1, 1991

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