A straightforward account of how a gay actor handled the ’50s—alas, not very differently than closeted gay actors manage...
Warner Brothers’ former boy-next-door tells all.
Tab Hunter’s life would have made a brassy melodrama for Warners, where he reigned in the 1950s. He was born Arthur Gelien in New York City in 1931. Escaping her violent husband, Gelien’s mother took her two sons to San Francisco, where Gelien fled to movie theaters, there first having sex with a man. At 15, Gelien lied about his age to join the Coast Guard. On leave in New York City, Gelien, now a smashing, muscular blond, woke up with a wealthy older man. Not wishing to be a “boy toy,” he went West to make movies. Gelien’s manager turned him into Tab Hunter, who took off his shirt to star in Island of Desire. Eager to draw teens, Warner Bros. cast him in Battle Cry, which he stole when he again doffed his shirt. Then scandal rag Confidential claimed cops arrested Hunter at a gay party. As damage control, Warners paired the actor with “beard” Natalie Wood, but after dates, Hunter pursued an affair with actor Tony Perkins. Eager to be taken seriously as an actor, Hunter bought out his Warners contract, donned his shirt and acted in They Came to Cordura and The Pleasure of His Company. More melodrama ensued when he stood trial, in 1960, for beating his dog. Acquitted, he relentlessly worked the dinner-theater circuit. After a heart attack, a stroke and mixed success as a producer, Hunter settled into a happy life with partner Allan Glaser, who suggested that he write his memoirs to head off the revelations of a projected, unauthorized biography. Whether that volume materializes and tells a different story remains to be seen.
A straightforward account of how a gay actor handled the ’50s—alas, not very differently than closeted gay actors manage their careers today.Pub Date: Oct. 14, 2005
ISBN: 1-56512-466-9
Page Count: 408
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2005
No one’s mind will be changed by Karl’s book, but it’s a valuable report from the scene of an ongoing train wreck.
The chief White House and Washington correspondent for ABC provides a ringside seat to a disaster-ridden Oval Office.
It is Karl to whom we owe the current popularity of a learned Latin term. Questioning chief of staff Mick Mulvaney, he followed up a perhaps inadvertently honest response on the matter of Ukrainian intervention in the electoral campaign by saying, “What you just described is a quid pro quo.” Mulvaney’s reply: “Get over it.” Karl, who has been covering Trump for decades and knows which buttons to push and which to avoid, is not inclined to get over it: He rightly points out that a reporter today “faces a president who seems to have no appreciation or understanding of the First Amendment and the role of a free press in American democracy.” Yet even against a bellicose, untruthful leader, he adds, the press “is not the opposition party.” The author, who keeps his eye on the subject and not in the mirror, writes of Trump’s ability to stage situations, as when he once called Trump out, at an event, for misrepresenting poll results and Trump waited until the camera was off before exploding, “Fucking nasty guy!”—then finished up the interview as if nothing had happened. Trump and his inner circle are also, by Karl’s account, masters of timing, matching negative news such as the revelation that Russia had interfered in the 2016 election with distractions away from Trump—in this case, by pushing hard on the WikiLeaks emails from the Democratic campaign, news of which arrived at the same time. That isn’t to say that they manage people or the nation well; one of the more damning stories in a book full of them concerns former Homeland Security head Kirstjen Nielsen, cut off at the knees even while trying to do Trump’s bidding.
No one’s mind will be changed by Karl’s book, but it’s a valuable report from the scene of an ongoing train wreck.Pub Date: March 31, 2020
ISBN: 978-1-5247-4562-2
Page Count: 368
Publisher: Dutton
Review Posted Online: Dec. 21, 2019
Kirkus Reviews Issue: Jan. 15, 2020
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Jahren transcends both memoir and science writing in this literary fusion of both genres.
Award-winning scientist Jahren (Geology and Geophysics/Univ. of Hawaii) delivers a personal memoir and a paean to the natural world.
The author’s father was a physics and earth science teacher who encouraged her play in the laboratory, and her mother was a student of English literature who nurtured her love of reading. Both of these early influences engrossingly combine in this adroit story of a dedication to science. Jahren’s journey from struggling student to struggling scientist has the narrative tension of a novel and characters she imbues with real depth. The heroes in this tale are the plants that the author studies, and throughout, she employs her facility with words to engage her readers. We learn much along the way—e.g., how the willow tree clones itself, the courage of a seed’s first root, the symbiotic relationship between trees and fungi, and the airborne signals used by trees in their ongoing war against insects. Trees are of key interest to Jahren, and at times she waxes poetic: “Each beginning is the end of a waiting. We are each given exactly one chance to be. Each of us is both impossible and inevitable. Every replete tree was first a seed that waited.” The author draws many parallels between her subjects and herself. This is her story, after all, and we are engaged beyond expectation as she relates her struggle in building and running laboratory after laboratory at the universities that have employed her. Present throughout is her lab partner, a disaffected genius named Bill, whom she recruited when she was a graduate student at Berkeley and with whom she’s worked ever since. The author’s tenacity, hope, and gratitude are all evident as she and Bill chase the sweetness of discovery in the face of the harsh economic realities of the research scientist.
Jahren transcends both memoir and science writing in this literary fusion of both genres.Pub Date: April 5, 2016
ISBN: 978-1-101-87493-6
Page Count: 336
Publisher: Knopf
Review Posted Online: Jan. 4, 2016
Kirkus Reviews Issue: Jan. 15, 2016
BOOK REVIEW
BOOK REVIEW
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