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IN ARABIAN NIGHTS

A CARAVAN OF MOROCCAN DREAMS

Engaging prose and entertaining stories hampered by a lofty, overly cerebral premise.

An Anglo-Afghan world traveler searches his adopted Moroccan homeland for traditional stories to pass on to his children.

Shah (The Caliph’s House: A Year in Casablanca, 2006, etc.), a gentle-voiced travel writer with a restless spirit, opens the book with a bang. Strung up by his feet in a Pakistani torture chamber called “The Farm”—into which he was thrown while attempting to make a film about the lost treasure of the Mughals—he distracted himself with thoughts of telling bedtime stories to his small children. Timur and Ariane were safely ensconced at home in the family’s sprawling, possibly haunted compound, Dar Khalifa, the Caliph’s house, which sits on the edge of a Casablanca shantytown where the author had moved his family in a fit of nostalgia for his childhood vacation spot. Shah’s thoughts take us back to Morocco, and his personal quest for authentic personal storytelling, which led him across the country and ingratiated him to a host of colorful characters. On the homefront, he introduces a trio of superstitious groundskeepers and two maids who competed for the affections of his toddler son. Outside of Dar Khalifa’s walls, the cast grew even more diverse. In Moroccan culture, particularly for a man with Shah’s curious blend of Eastern and Western sensibilities, it seemed that friends were around every corner—in the Café Mabrook, where the author quickly became a regular, in the barbershop and even in a small hut behind a cemetery. It was these friendships that fueled the author’s mission, taking him not only through the Old Medina of Casablanca, but also to Fez, Marrakesh and even deep within the Sahara Desert. Spurred by the writings of 19th-century British explorer and polymath Richard Francis Burton—he even stayed in Burton’s favorite Tangier hotel—Shah continued to search for an authentic legacy for his son and daughter. The author’s cultural detail is impressive, and his relentless fascination with all things Moroccan is inspirational. But the storytelling theme never quite unifies his anecdotes. More disappointingly, he never regains the raw energy of the opening torture-chamber episode where, it seems, the real story resides.

Engaging prose and entertaining stories hampered by a lofty, overly cerebral premise.

Pub Date: Jan. 1, 2008

ISBN: 978-0-553-80523-9

Page Count: 400

Publisher: Bantam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2007

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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