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SHIN BUDDHISM

AN INTRODUCTION

A cogent, concise, and personable guide to a transformative faith.

Awards & Accolades

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A retired Japanese university professor and Buddhist priest introduces a major religion of his home country.

Widely practiced in Japan but less well-known in the United States, Shin Buddhism offers its practitioners salvation from the myriad cares of the world. “Salvation,” debut author Hirose explains, is “strictly a mental process such that one becomes able to cope with difficult situations.” In this, Shin Buddhism differs from other branches of the Buddhist faith; unlike Tibetan Buddhists, for example, Shin’s adherents “have no magical instruments, no sacred places believed to have supernatural powers, no magic words.” Instead, devotees concentrate on trying to “see things as they are without any bias or self-interest.” In pursuit of this, questions of morality and religion become uncoupled, selflessness is prized over selfishness, and various scriptures become simplified. Hirose describes how Shinran, the faith’s 13th-century founder, turned to the original Sanskrit teachings of Gautama Buddha to figure out which lines were intended literally and which symbolically. The tool he used to do this was a search for “universality,” as “a universal idea makes sense in any place at any time,” Hirose explains. Accordingly, teachings of the Buddha that would be acceptable in all cultures were thereby incorporated as canon in Shin Buddhism. Hirose compares this process to the formation of English common law in one of his brief and always useful personal asides. Readers will come away from this short book with a firm, uncluttered idea of an important and potentially alluring faith. Hirose is cleareyed about his own subject and aware of the ways that its teachings can seem abstruse, as when he admits that the essential part of one teaching is “very simple—perhaps too simple.” The dialogues that he includes at the end of each chapter serve as a sort of catechism, answering questions and reinforcing previous lessons. The author shows the patience of the practiced teacher that he is, and, with luck, he’ll be rewarded with worthy students.

A cogent, concise, and personable guide to a transformative faith.  

Pub Date: June 9, 2017

ISBN: 978-1-4575-5004-1

Page Count: 154

Publisher: Dog Ear

Review Posted Online: July 19, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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