Still, the novel sheds much-needed light on this turbulent period in Russian history.
An American investment adviser, on a mission to counsel businesswomen in post-glasnost Russia, encounters corruption, organized crime, and extreme sexism.
In 1993, the Russian economy is reeling under the extreme measures introduced by Boris Yeltsin to shock the country into capitalism. Brooke Fielding, on furlough from a Manhattan investment firm, accepts an invitation from Sidorov, head of an official-sounding “Economic Authority,” to join a team of experts mentoring female Russian entrepreneurs. When she's shaken down by customs agents at the airport, Brooke realizes that being American is no protection against a civilization in free fall. In the seedy, bug-infested Hotel Moscow, where Brooke’s group is housed, service and meals are grudging and skimpy, respectively. The only child of Russian Jews who survived the Holocaust, Brooke is also shocked by the unapologetic anti-Semitism she observes. When their tour bus takes them to a woman-owned factory, Brooke and the other visitors witness an attack by gangsters who stab the company’s controller and beat up managers including Svetlana, one of Brooke’s guides. Svetlana and Olga, a prominent sociologist, take up the story, illustrating the harsh conditions they endure now that the social safety net conferred by communism has unraveled. Olga, elderly at 48, has her car capriciously confiscated by her boss and is mugged on the street by thugs who steal her hard-won groceries. Olga’s best friend, Vera, owner of a cookware factory, has been tortured by gangsters. Svetlana, struggling to raise her daughter in a cramped communal apartment, is raped by Sidorov. After rejecting the help of a handsome fellow American whose motives she distrusts, Brooke embarks on an audacious plan to find out who—among many possible miscreants—is targeting the women, even though a long-ago indiscretion has rendered her vulnerable to blackmail. Generalized commentary, not to mention some PowerPoint-worthy business lectures, occasionally interrupts the far more compelling narrative of lives lived in dystopia.
Still, the novel sheds much-needed light on this turbulent period in Russian history.Pub Date: June 2, 2015
ISBN: 978-0-06-238859-9
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: April 1, 2015
Kirkus Reviews Issue: April 15, 2015
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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