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THE GOLDEN BELL

Some children will demand a more traditional ending, but readers with a contemplative nature—or at least a sense of...

This Israeli import may set a new record for delayed gratification.

For a little while, the book feels like a story with no ending: In ancient Jerusalem, a tailor is mending a robe for the High Priest. His son, Itamar, notices that the robe is missing a bell on its hem and searches for it all over the city, but he never finds it. That seems like the place where the story has to end. A bell from Biblical times can never be replaced. But the final page of the book introduces a young archaeologist who, in 2011, spots something “gleaming in the dirt in an ancient drainage ditch.” Some readers will be frustrated by the delayed ending. It takes the resolution completely out of Itamar’s hands. But Itamar seems more bemused than distraught. The closing pages of the story show him as a gray-haired man, telling his children about the bell that was “lost and never found.” Philosophical readers may take this as an important lesson: Don’t hold on too tightly to the things you’ve lost. And the illustrations are extraordinary. Abolafia has simplified the characters’ anatomy to a few basic, lovely strokes of the pen, and he’s chosen a remarkable variety of browns to represent the range of people in the Middle East.

Some children will demand a more traditional ending, but readers with a contemplative nature—or at least a sense of humor—will be more than satisfied. (Picture book. 4-9)

Pub Date: March 1, 2019

ISBN: 978-1-5415-2612-9

Page Count: 24

Publisher: Kar-Ben

Review Posted Online: Dec. 21, 2018

Kirkus Reviews Issue: Jan. 15, 2019

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MIRACLE ON 133RD STREET

A scrumptious treat to be savored and enjoyed, just like a fine holiday dinner.

On Christmas Eve, a large apartment house on 133rd Street in the Bronx becomes the site of a multicultural neighborhood party.

Manzano, a Pura Belpré honoree and Maria on Sesame Street, teams up with Caldecott honoree Priceman for this vibrant story. The setting is the apartment of a Puerto Rican family preparing their special Christmas Eve dinner. Mami is trying to cook a huge roast, but it won’t fit in her small oven. Papi and José decide to take the roast to their friend who owns a pizzeria to see if he can help. On their way, they meet several neighbors and friends of different ages and ethnic groups; all are stressed, lonely, or worried about money. When the father and son return with the cooked roast, its delicious aroma transforms everyone who smells it, wafting them along on swirls of contented delight. They all float up the stairs to the apartment for a Christmas Eve dinner, fitting everyone into just one small apartment—a Christmas miracle. The polished text uses dramatic pacing, dialogue, emotion, and characterization to excellent effect. Priceman’s dazzling illustrations are filled with pulsating energy, glowing colors, and the radiant smiles of the neighbors who find community together. A magical, hopeful vitality permeates the art, reflected in multiple swirling elements wound through the illustrations.

A scrumptious treat to be savored and enjoyed, just like a fine holiday dinner. (Picture book. 4-9)

Pub Date: Sept. 22, 2015

ISBN: 978-0-689-87887-9

Page Count: 48

Publisher: Atheneum

Review Posted Online: Aug. 11, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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MOMMY'S KHIMAR

With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked...

From a debut author-and-illustrator team comes a glimpse into a young American Muslim girl’s family and community as she walks around in “Mommy’s khimar,” or headscarf.

The star of this sunny picture book is a young girl who finds joy in wearing her mother’s khimar, imagining it transforms her into a queen, a star, a mama bird, a superhero. At the core of the story is the love between the girl and her mother. The family appears to be African-American, with brown skin and textured hair. The girl’s braids and twists “form a bumpy crown” under the khimar, which smells of coconut oil and cocoa butter. Adults in her life delight in her appearance in the bright yellow khimar, including her Arabic teacher at the mosque, who calls it a “hijab,” and her grandmother, who visits after Sunday service and calls out “Sweet Jesus!” as she scoops her granddaughter into her arms. Her grandmother is, apparently, a Christian, but “We are a family and we love each other just the same.” The illustrations feature soft pastel colors with dynamic lines and gently patterned backgrounds that complement the story’s joyful tone. The words are often lyrical, and the story artfully includes many cultural details that will delight readers who share the cheerful protagonist’s culture and enlighten readers who don’t.

With a universal message of love and community, this book offers a beautiful representation of a too-often-overlooked cultural group . (Picture book. 4-8)

Pub Date: April 3, 2018

ISBN: 978-1-5344-0059-7

Page Count: 40

Publisher: Salaam Reads/Simon & Schuster

Review Posted Online: Feb. 2, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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