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HOOD WELLNESS

TALES OF COMMUNAL CARE FROM PEOPLE WHO DROWNED ON DRY LAND

A funny, thought-provoking, and profound memoir about the intersection of Blackness and health.

An “unambiguously Black” Cuban writer uses her life story to examine multiple aspects of community care.

After “two decades working my ass off in the food service industry,” Gordon was exhausted. She left New York City, where she was working as a server, self-medicating with drugs, and making ends meet by selling them. “I was weary in my soul, in my heart,” she writes. “Tired of everything.” She moved to Miami, intending to get sober and to heal. She started therapy and joined an online support group for adults who, like her, have such severe dental problems that they must have all of their teeth extracted and replaced by dentures. While in Miami, Gordon also began Casa de Tami, a program that invites individual Black activists from “marginalized genders” to stay at her home and be treated compassionately. Eventually, with the help of a community fundraiser, Gordon moved to New Orleans, where she continued to document the ways in which members of close-knit communities support each other’s healing. While much of the book is about deeply traumatic struggles, Gordon begins her story by letting readers know that she is not writing “trauma porn.” The author’s voice is intimate, vulnerable, frank, humorous, and affectionate, and her impressive capacity for self-reflection infuses her work with refreshingly original insights. She intersperses her memoir with a beautifully curated selection of the voices of people who share the author’s talent for conversational, honest prose. “I’m not a teacher, guru, or authority,” she writes. “Hood Wellness isn’t a how-to kind of book. It’s a reflection of the power of community and an affirmation that, regardless of our intersections and hardships, there is more for us when we walk together.” Gordon’s vision of a more just future feels both inspiring and possible.

A funny, thought-provoking, and profound memoir about the intersection of Blackness and health.

Pub Date: June 18, 2024

ISBN: 9781955905343

Page Count: 312

Publisher: Row House Publishing

Review Posted Online: April 4, 2024

Kirkus Reviews Issue: May 1, 2024

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POEMS & PRAYERS

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”

McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.

It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.

Pub Date: Sept. 16, 2025

ISBN: 9781984862105

Page Count: 208

Publisher: Crown

Review Posted Online: Aug. 15, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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GREENLIGHTS

A conversational, pleasurable look into McConaughey’s life and thought.

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All right, all right, all right: The affable, laconic actor delivers a combination of memoir and self-help book.

“This is an approach book,” writes McConaughey, adding that it contains “philosophies that can be objectively understood, and if you choose, subjectively adopted, by either changing your reality, or changing how you see it. This is a playbook, based on adventures in my life.” Some of those philosophies come in the form of apothegms: “When you can design your own weather, blow in the breeze”; “Simplify, focus, conserve to liberate.” Others come in the form of sometimes rambling stories that never take the shortest route from point A to point B, as when he recounts a dream-spurred, challenging visit to the Malian musician Ali Farka Touré, who offered a significant lesson in how disagreement can be expressed politely and without rancor. Fans of McConaughey will enjoy his memories—which line up squarely with other accounts in Melissa Maerz’s recent oral history, Alright, Alright, Alright—of his debut in Richard Linklater’s Dazed and Confused, to which he contributed not just that signature phrase, but also a kind of too-cool-for-school hipness that dissolves a bit upon realizing that he’s an older guy on the prowl for teenage girls. McConaughey’s prep to settle into the role of Wooderson involved inhabiting the mind of a dude who digs cars, rock ’n’ roll, and “chicks,” and he ran with it, reminding readers that the film originally had only three scripted scenes for his character. The lesson: “Do one thing well, then another. Once, then once more.” It’s clear that the author is a thoughtful man, even an intellectual of sorts, though without the earnestness of Ethan Hawke or James Franco. Though some of the sentiments are greeting card–ish, this book is entertaining and full of good lessons.

A conversational, pleasurable look into McConaughey’s life and thought.

Pub Date: Oct. 20, 2020

ISBN: 978-0-593-13913-4

Page Count: 304

Publisher: Crown

Review Posted Online: Oct. 27, 2020

Kirkus Reviews Issue: Dec. 1, 2020

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