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LOOT

A smart, sharp tale, as well crafted as the object at its center.

An expert Indian woodworker gets a front-row seat to 18th- and 19th-century imperialism.

Abbas, the hero of James’ lively and symbolically rich third novel, is a poor 17-year-old artisan in Mysore in 1794 when he’s recruited by Tipu Sultan, the local ruler, to apprentice with Lucien Du Leze, a French clockmaker. Together they are charged with making an automaton of a tiger attacking a British soldier. The experience hones his carving skills, but just as importantly it introduces him to an intercontinental power play: Tipu, aka the Tiger of Mysore, is attempting to fend off an incursion by the British East India Company by appealing for French support by any means necessary, including the automaton. But with France roiled in the aftermath of its own revolution, Mysore falls in 1799, prompting Abbas to escape to France, where he connects with Lucien’s daughter, Jehanne. Together, they plot to recover the automaton, which is in the hands of Lady Selwyn, widow of a British soldier who served in India. From Abbas’ first meeting with Lucien to his and Jehanne’s negotiations with Selwyn, James trains her descriptions on the ways Indians are displaced and diminished by imperialists and the ways they have to contort themselves to adjust to society. (Selwyn’s high-mannered butler, an Indian man named Rum, exemplifies the psychic costs of force-feeding oneself another culture’s protocols.) But though the intensity of James’ critique is clear, her prose is fleet and rich in ironic humor. “I am here because you were there,” Rum thinks, encapsulating the perverse logic and cruelty of his circumstance. The automaton of the novel actually exists, James explains in a note; her novel, as the title hints, is an engaging reminder that today’s museum pieces are often functions of forgotten exploitation and theft.

A smart, sharp tale, as well crafted as the object at its center.

Pub Date: June 13, 2023

ISBN: 9780593535974

Page Count: 304

Publisher: Knopf

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

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A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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