by Tanith Lee ‧ RELEASE DATE: Dec. 1, 2000
What with the illogical plot and largely unsympathetic characters, even Lee’s stylish prose can’t breathe new vitality into...
Addition to this publisher’s series of rewritten/reinterpreted fairy tales, from British fantasist Lee (Saint Fire, 1999, etc.), with series editor Terri Windling providing a substantial, scholarly introduction. This time, Snow White gets a makeover, as Lee blends elements from the tale’s historical variants, mythology, the Brothers Grimm, and Walt Disney. Somewhere in eastern Europe, the barbarian conqueror Draco rapes Princess Arpazia after sacking her city. Later, he repents somewhat and marries her, allowing her to keep her magic mirror. Utterly withdrawn, Arpazia cares nothing save to gaze into the mirror and be reassured of her flawless, unmatched beauty; she has only the vaguest recollection of giving birth to a clone-like daughter, whom Draco names Candacis but everybody knows as Coira. Later, Arpazia, ignored by Draco, emerges from her trance to fall in love with Orion, the old religion’s woodland king. But when Arpazia aborts Orion’s child, Orion vanishes, and Arpazia embarks on a series of tawdry affairs. In the mirror, though, she discerns a rival, and, not recognizing Coira, arranges for her abduction. Later, Coira becomes the mistress of a band of dwarves toiling in the mines of King Hadz . . . . And so forth.
What with the illogical plot and largely unsympathetic characters, even Lee’s stylish prose can’t breathe new vitality into the familiar old tale.Pub Date: Dec. 1, 2000
ISBN: 0-312-86993-2
Page Count: 304
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2000
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by Han Kang ; translated by Deborah Smith ‧ RELEASE DATE: Feb. 2, 2016
An unusual and mesmerizing novel, gracefully written and deeply disturbing.
In her first novel to be published in English, South Korean writer Han divides a story about strange obsessions and metamorphosis into three parts, each with a distinct voice.
Yeong-hye and her husband drift through calm, unexceptional lives devoid of passion or anything that might disrupt their domestic routine until the day that Yeong-hye takes every piece of meat from the refrigerator, throws it away, and announces that she's become a vegetarian. Her decision is sudden and rigid, inexplicable to her family and a society where unconventional choices elicit distaste and concern that borders on fear. Yeong-hye tries to explain that she had a dream, a horrifying nightmare of bloody, intimate violence, and that's why she won't eat meat, but her husband and family remain perplexed and disturbed. As Yeong-hye sinks further into both nightmares and the conviction that she must transform herself into a different kind of being, her condition alters the lives of three members of her family—her husband, brother-in-law, and sister—forcing them to confront unsettling desires and the alarming possibility that even with the closest familiarity, people remain strangers. Each of these relatives claims a section of the novel, and each section is strikingly written, equally absorbing whether lush or emotionally bleak. The book insists on a reader’s attention, with an almost hypnotically serene atmosphere interrupted by surreal images and frighteningly recognizable moments of ordinary despair. Han writes convincingly of the disruptive power of longing and the choice to either embrace or deny it, using details that are nearly fantastical in their strangeness to cut to the heart of the very human experience of discovering that one is no longer content with life as it is.
An unusual and mesmerizing novel, gracefully written and deeply disturbing.Pub Date: Feb. 2, 2016
ISBN: 978-0-553-44818-4
Page Count: 192
Publisher: Hogarth
Review Posted Online: Oct. 19, 2015
Kirkus Reviews Issue: Nov. 1, 2015
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by John Steinbeck ‧ RELEASE DATE: Nov. 24, 1947
Steinbeck's peculiarly intense simplicity of technique is admirably displayed in this vignette — a simple, tragic tale of Mexican little people, a story retold by the pearl divers of a fishing hamlet until it has the quality of folk legend. A young couple content with the humble living allowed them by the syndicate which controls the sale of the mediocre pearls ordinarily found, find their happiness shattered when their baby boy is stung by a scorpion. They dare brave the terrors of a foreign doctor, only to be turned away when all they can offer in payment is spurned. Then comes the miracle. Kino find a great pearl. The future looks bright again. The baby is responding to the treatment his mother had given. But with the pearl, evil enters the hearts of men:- ambition beyond his station emboldens Kino to turn down the price offered by the dealers- he determines to go to the capital for a better market; the doctor, hearing of the pearl, plants the seed of doubt and superstition, endangering the child's life, so that he may get his rake-off; the neighbors and the strangers turn against Kino, burn his hut, ransack his premises, attack him in the dark — and when he kills, in defense, trail him to the mountain hiding place- and kill the child. Then- and then only- does he concede defeat. In sorrow and humility, he returns with his Juana to the ways of his people; the pearl is thrown into the sea.... A parable, this, with no attempt to add to its simple pattern.
Pub Date: Nov. 24, 1947
ISBN: 0140187383
Page Count: 132
Publisher: Viking
Review Posted Online: Oct. 5, 2011
Kirkus Reviews Issue: Nov. 1, 1947
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