BORN CONFUSED

An Indian-American teen experiences a dizzying summer chasing boys, her best friend, and her identity. Dimple Lala is accustomed to being one of only two Indians in her suburban New Jersey high school, but custom does not lead to comfort, and she feels acutely that she has no real place either in the Indian community of her parents or the American world of her peers. When her best friend Gwyn, blonde, beautiful, and endlessly charismatic, fixes her up with a college boy for her 17th birthday and she becomes monumentally, stinking drunk, her parents decide to take drastic action in the form of an arranged introduction to a “suitable boy.” Dimple does her best to fend off their good intentions, but, too late, she finds herself falling in love, almost against her will, with said suitable boy, who actually spins a mean disc as a nightclub DJ. Dimple emerges as a smart, funny, and original voice whose familial, friendship, and identity struggles are both universal and beautifully specific. Newcomer Desai Hidier crafts a frequently hilarious narrative whose familiar teen-quest-for-identity plot is peopled with highly distinctive and likable characters and is overlaid with a fearless and glorious sense of linguistic possibilities that (along with some idiosyncratic punctuation) seems positively Joyceian. The wordplay is fairly simple at first, but as the plot progresses and Dimple’s feelings and understandings become more complex, the language becomes increasingly metaphorical and abstract. On a solo nighttime photographic tour through New York, Dimple comes close to a cultural epiphany, and the descriptive language takes off. At one point she describes exiting the New York subway: “From a swift tunnel of cut blackness and counterfeit light through a yellowy pool of candle wax turnstiled, metal still muggy to the touch from that rush of hungering hands and up the stairs and out the narrow door into that greater darkness but this one enormously ongoing and violently adorned.” If the plot is a tad predictable, if the love interest is just about too good to be true—who cares? The exuberant, almost psychedelic linguistic riffs will catch readers up in a breathtaking experience that is beyond virtually anything being published for teens today. (Fiction. YA)

Pub Date: Oct. 1, 2002

ISBN: 0-439-35762-4

Page Count: 432

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

IF HE HAD BEEN WITH ME

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 13, 2013

Kirkus Reviews Issue: March 1, 2013

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A treat for mystery readers who enjoy being kept in suspense.

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A GOOD GIRL'S GUIDE TO MURDER

From the Good Girl's Guide to Murder series , Vol. 1

Everyone believes that Salil Singh killed his girlfriend, Andrea Bell, five years ago—except Pippa Fitz-Amobi.

Pip has known and liked Sal since childhood; he’d supported her when she was being bullied in middle school. For her senior capstone project, Pip researches the disappearance of former Fairview High student Andie, last seen on April 18, 2014, by her younger sister, Becca. The original investigation concluded with most of the evidence pointing to Sal, who was found dead in the woods, apparently by suicide. Andie’s body was never recovered, and Sal was assumed by most to be guilty of abduction and murder. Unable to ignore the gaps in the case, Pip sets out to prove Sal’s innocence, beginning with interviewing his younger brother, Ravi. With his help, Pip digs deeper, unveiling unsavory facts about Andie and the real reason Sal’s friends couldn’t provide him with an alibi. But someone is watching, and Pip may be in more danger than she realizes. Pip’s sleuthing is both impressive and accessible. Online articles about the case and interview transcripts are provided throughout, and Pip’s capstone logs offer insights into her thought processes as new evidence and suspects arise. Jackson’s debut is well-executed and surprises readers with a connective web of interesting characters and motives. Pip and Andie are white, and Sal is of Indian descent.

A treat for mystery readers who enjoy being kept in suspense. (Mystery. 14-18)

Pub Date: Feb. 4, 2020

ISBN: 978-1-9848-9636-0

Page Count: 400

Publisher: Delacorte

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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