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DIGGING UP BONES

WHEN TRUTH IS EXHUMED

A history of a painful scandal that powerfully acknowledges the humanity of those involved.

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Radic details a notorious funeral home scandal in this nonfiction work.

The setting is Robertson County, Tennessee, in the 1980s, when the place “still moved at its own pace.” As the author notes, “The land felt open, and time didn’t seem to be in a hurry.” A sordid scandal disrupted this peaceful setting in 1988, when Bobby Wilks, the gregarious and well-liked director of a local funeral home, was revealed to be defrauding his grieving customers by taking their money and then dumping the corpses of their deceased loved ones willy-nilly, sometimes wrapped in trash. The county had many other funeral homes in addition to the Barber Funeral Home, but people trusted the outgoing Wilks. (As Radic puts it, “Around here, a hill was good for three things: a church to save your soul, a place to sell your liquor, wine and spirits, and a graveyard that took them both—your soul and your money.”) The revelation of his wrongdoing required direct investigation by the affected families; the resulting trial determined that Wilks had systematically lied to his customers. “All was well,” the author writes, “until somebody wanted somebody to dig up a baby that had been ‘buried’ for six years and found out it was wrapped in a Walmart shopping bag.” Found guilty, Wilks was fined, stripped of his license, and sentenced to nearly 30 years in prison; he died while incarcerated in 2017. In these pages, Radic tells the story of the scandal, grounding the narrative in its rich regional setting and introducing another Bobby: the Reverend Bobby Flatt, who auctioned off his dead mother’s effects to pay Wilks for her funeral services, which he didn’t end up providing.

The author writes with such compassion and sheer storytelling verve that readers will eagerly turn the pages of this sordid, heartbreaking tale, despite its dark subject matter. (While Wilks expressed some regret for his actions, he never offered any motivation beyond simple greed, and he seemed to have no compunction about desecrating the trust of the people he knew and talked with every day.) The book is a model of scrupulously researched local history, full of reproductions of photos and documents and contemporaneous news accounts. As fascinating as all this documentation is, the work’s greatest strengths are Radic’s wise commentary and her utterly winning prose style. In the course of detailing Wilks’ disgusting opportunism, the author fully and colorfully describes the nature of life and death in the small-town South: “The family reaches the graveside together, shocked they survived one another, wiping tears, holding grudges, and telling everyone how ‘peaceful’ everything was.” (Death arrangements in the South, she points out, “are not for the weak.”) Radic emphasizes the sensory details of small-town life, consistently adding texture and color to the narrative; she writes that a local funeral parlor “smells like hot coffee coming from the kitchen mixed with a spray of flowers.” Readers could not ask for a more sensitive and oddly poetic account of this startling tragedy.

A history of a painful scandal that powerfully acknowledges the humanity of those involved.

Pub Date: July 22, 2026

ISBN: 9798996060801

Page Count: 276

Publisher: N/A

Review Posted Online: Sept. 8, 2026

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A WEALTH OF PIGEONS

A CARTOON COLLECTION

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

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The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.

Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.

A virtuoso performance and an ode to an undervalued medium created by two talented artists.

Pub Date: Nov. 17, 2020

ISBN: 978-1-250-26289-9

Page Count: 272

Publisher: Celadon Books

Review Posted Online: Aug. 30, 2020

Kirkus Reviews Issue: Sept. 15, 2020

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