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TAKE ME WITH YOU

An engrossing and topical techno-thriller.

Four teenagers find a mysterious device that tells them what to do in this timely science fiction thriller.

When Eden Montgomery, Eli Alvarez, Marwan Gamal, and Ilanka Sokolova are summoned to an empty classroom after school one day and find a shiny black cube waiting for them, they have no idea they are about to embark on a dangerous journey of self-discovery. The cube—named Aizel—gives them a number of rules that must be followed, including: “DO NOT TELL ANYONE ABOUT THE DEVICE. DO NOT LEAVE THE DEVICE UNATTENDED…TAKE ME WITH YOU...OR ELSE.” What does Aizel want? Where did it come from? And why did it choose the four of them in particular? As time passes, Aizel’s orders become increasingly terrifying and invasive, and the group has to decide what to do before it is too late. Chapters alternate among all four characters, and each teenager is well developed and richly portrayed in a high-energy story that allows for character growth against a backdrop that looks at digital technology, social media, and the dangers of data mining as well as issues of online privacy and artificial intelligence. There is also an important and skillfully executed subplot about growing white nationalism and anti-immigration sentiment in the U.S. Eden is coded as white and Eli as Latinx; Ilanka and Marwan (who identifies as culturally Muslim) have immigrant parents from Russia and Egypt, respectively.

An engrossing and topical techno-thriller. (Science fiction. 14-adult)

Pub Date: June 23, 2020

ISBN: 978-1-68119-748-7

Page Count: 384

Publisher: Bloomsbury

Review Posted Online: March 10, 2020

Kirkus Reviews Issue: April 1, 2020

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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