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THE BREATHLESS

A plot-heavy saga.

A Southern gothic about family secrets and a dead sister.

Nearly a year ago Cage Shaw fled after being spotted over the dead body of his girlfriend, Ro Cole. Ro’s artistic younger sister, Mae, still doesn’t know what really happened—though she suspects it was more than it appeared to be after finding an old family-heirloom journal that was most recently Ro’s. In it is such disturbing content as the “Ritual for a Raising,” other apparent spells, and cryptic notes, some written by Ro herself. Meanwhile, Cage wakes in a hospital with vague memories of a motorcycle crash and makes his way back to the decaying Cole home, Blue Gate, where he’s shocked to learn that a year has passed, Ro is dead, and he is a pariah. He says he’s innocent, and Mae finds herself believing him. In between Mae’s investigation of Ro’s secrets and Cage’s attempts to figure out what’s happened over the past year, the text jumps back into Cole family history, to 1859, when Grady Cole falls for a magic-using outsider with the ability to raise the dead. The modern-time romance is light, as both of Mae’s potential love interests are hung up on Ro, and the setting—the derelict estate on the Alabama coast—suits the creepy, ritualistic, magical elements of a plot that confuses at times but mostly weaves together by the ending twists. All characters are white.

A plot-heavy saga. (Paranormal romance. 12-18)

Pub Date: Oct. 10, 2017

ISBN: 978-1-5247-1476-5

Page Count: 368

Publisher: Delacorte

Review Posted Online: Aug. 1, 2017

Kirkus Reviews Issue: Aug. 15, 2017

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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BETTER THAN THE MOVIES

From the Better Than the Movies series , Vol. 1

Exactly what the title promises.

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A grieving teen’s devotion to romance films might ruin her chances at actual romance.

Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.

Exactly what the title promises. (Romance. 12-18)

Pub Date: May 4, 2021

ISBN: 978-1-5344-6762-0

Page Count: 368

Publisher: Simon & Schuster

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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