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AMPLIFIED

A treat for industrial-rock lovers; a pleasant summer read for others.

This chronicle of a shy guitarist's summer living with a rock band poses bigger questions than it answers but tells a likable story nonetheless.

Kicked out of the house by her strict father after she decides to defer her college admission, Jasmine is determined to prove that she can make it on her own. Looking for a room to rent in Santa Cruz, she finds an industrial band seeking a live-in bandmate and tries out. Kelly (Harmonic Feedback, 2010) relates each musical challenge—Jasmine's tryout, a bad gig, a final, triumphant performance—as a tense action sequence. The author gives enough imagery and context that even the musically uninitiated will appreciate her descriptions, though readers who understand licks, riffs, arpeggios, EBows and wah pedals will get a fuller effect. Veta, the moody-but-loyal lead singer, is the best realized of the colorful cast; other characters feel a bit more sketched in. A romance between Jasmine and one of the band members is satisfyingly paced, and the energy between them is as charged (without being graphic) as some of the scenes between Jasmine and her guitar. Some of the novel's big questions are left open: Jasmine's relationship with her father, for instance, or what it means to start a relationship with a roommate.

A treat for industrial-rock lovers; a pleasant summer read for others. (Fiction. 14 & up)

Pub Date: Oct. 25, 2011

ISBN: 978-0-8050-9296-7

Page Count: 304

Publisher: Henry Holt

Review Posted Online: Aug. 23, 2011

Kirkus Reviews Issue: Sept. 15, 2011

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GIRL IN PIECES

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

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After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: May 15, 2016

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IF ONLY I HAD TOLD HER

A heavy read about the harsh realities of tragedy and their effects on those left behind.

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In this companion novel to 2013’s If He Had Been With Me, three characters tell their sides of the story.

Finn’s narrative starts three days before his death. He explores the progress of his unrequited love for best friend Autumn up until the day he finally expresses his feelings. Finn’s story ends with his tragic death, which leaves his close friends devastated, unmoored, and uncertain how to go on. Jack’s section follows, offering a heartbreaking look at what it’s like to live with grief. Jack works to overcome the anger he feels toward Sylvie, the girlfriend Finn was breaking up with when he died, and Autumn, the girl he was preparing to build his life around (but whom Jack believed wasn’t good enough for Finn). But when Jack sees how Autumn’s grief matches his own, it changes their understanding of one another. Autumn’s chapters trace her life without Finn as readers follow her struggles with mental health and balancing love and loss. Those who have read the earlier book will better connect with and feel for these characters, particularly since they’ll have a more well-rounded impression of Finn. The pain and anger is well written, and the novel highlights the most troublesome aspects of young adulthood: overconfidence sprinkled with heavy insecurities, fear-fueled decisions, bad communication, and brash judgments. Characters are cued white.

A heavy read about the harsh realities of tragedy and their effects on those left behind. (author’s note, content warning) (Fiction. 14-18)

Pub Date: Feb. 6, 2024

ISBN: 9781728276229

Page Count: 416

Publisher: Sourcebooks Fire

Review Posted Online: Jan. 5, 2024

Kirkus Reviews Issue: Feb. 1, 2024

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