Grescoe writes with color, energy, and humor, and the result is a fascinating book that leaves you hungry for more.
A surprising, flavorsome tour of ancient cuisines demonstrating how the way forward involves looking back.
This is not just another slick volume about cooking exotic food. Montreal-based Grescoe, author of a number of award-winning books, including Straphanger and Bottomfeeder, loves food and is an adventurous diner, but he also has serious points to make. He is deeply concerned with the shrinking biodiversity of food production and the lack of real nutrition in processed foods. The answer, he believes, is to look at what earlier civilizations ate. In the course of his research, he visited ancient sites and met with farmers and Indigenous peoples who are resurrecting preindustrial methods of agriculture. He sampled axayacatl, an important insect in the Aztec diet. In Greece, he indulged in oil from very old olive trees, which leads to a discussion of the role that olives played in the spread of civilization. He tasted a salty fish sauce called garum, which has been around for centuries. On Vancouver Island, Grescoe tried the native camas, “a tuber that was widely consumed on the Northwest Coast before the Europeans came.” Along the way, the author learned that pigs were brought to the Americas by the conquistadors and that the first cheeses were made more than 7,000 years ago. Grescoe has tried to re-create some of the dishes he discovered in his own kitchen, with a surprising degree of success. His final effort involved making bread using ingredients and methods gleaned from the study of a Neolithic site in Turkey. Grescoe advises readers to look beyond the supermarket shelves, think before they buy, and take some culinary chances. “For those who champion the Earth’s dwindling nutritional diversity,” he concludes, “the message is as simple as it is urgent: to save it, you’ve got to eat it.”
Grescoe writes with color, energy, and humor, and the result is a fascinating book that leaves you hungry for more.Pub Date: Sept. 19, 2023
ISBN: 9781771647632
Page Count: 312
Publisher: Greystone Books
Review Posted Online: June 7, 2023
Kirkus Reviews Issue: July 1, 2023
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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