A graphic and often moving contribution to the important conversation about endemic sexism.

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STOP TELLING WOMEN TO SMILE

STORIES OF STREET HARASSMENT AND HOW WE'RE TAKING BACK OUR POWER

Anger fuels an artist’s project to publicize the prevalence of street harassment.

Painter and street artist Fazlalizadeh makes a compelling book debut that expands her public art series “Stop Telling Women to Smile.” The series began when she mounted three posters she drew of women’s faces—her own and two friends’—each captioned with a single sentence in protest of street harassment: “My Name is Not Baby, Sweetie, Sweetheart, Shorty, Sexy, Honey, Pretty, Boo, Ma” and “Women Are Not Seeking Your Validation.” As the posters gained attention, the project grew into interviews with—and portraits of—many women who talked about their experiences with vulnerability, fear, and mental, emotional, and physical exhaustion. “Street harassment,” writes the author, “is not an isolated issue” but rather part of “a long history of aggressive sexualization” that includes domestic abuse and sexual assault. Fazlalizadeh cites research showing that between 40% and 60% of women attest to having experienced street harassment in the Middle East and North Africa; 65% in the U.S.; 79% in India; 86% in Thailand and Brazil. She cautions against viewing men’s comments as evidence of sexual attraction; harassment, she writes, “is ultimately about power and dominance.” Most of the 10 women portrayed in this book recall being harassed even as children, often by adult men. “It’s always shocking how young we were,” one Asian American woman reveals. “When I was young,” a queer, gender-nonconforming Latinx reveals, harassment felt like “the cornering of a younger body into a very sexualized being.” Asian women and women of color often encounter stereotyped sexualization. “Not Your Asian Fetish, China Doll, Geisha,” one woman’s poster reads. Several interviewees identify as queer and one as trans, presenting an image that seems to threaten some men. “For a couple composed of two women,” street harassment “will likely be layered with homophobia.” By capturing women’s rage and frustration, Fazlalizadeh hopes to create empathy, “ignite actions and engage communities of people.”

A graphic and often moving contribution to the important conversation about endemic sexism.

Pub Date: Feb. 4, 2020

ISBN: 978-1-58005-848-3

Page Count: 256

Publisher: Seal Press

Review Posted Online: Nov. 18, 2019

Kirkus Reviews Issue: Dec. 15, 2019

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Not an easy read but an essential one.

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HOW TO BE AN ANTIRACIST

Title notwithstanding, this latest from the National Book Award–winning author is no guidebook to getting woke.

In fact, the word “woke” appears nowhere within its pages. Rather, it is a combination memoir and extension of Atlantic columnist Kendi’s towering Stamped From the Beginning (2016) that leads readers through a taxonomy of racist thought to anti-racist action. Never wavering from the thesis introduced in his previous book, that “racism is a powerful collection of racist policies that lead to racial inequity and are substantiated by racist ideas,” the author posits a seemingly simple binary: “Antiracism is a powerful collection of antiracist policies that lead to racial equity and are substantiated by antiracist ideas.” The author, founding director of American University’s Antiracist Research and Policy Center, chronicles how he grew from a childhood steeped in black liberation Christianity to his doctoral studies, identifying and dispelling the layers of racist thought under which he had operated. “Internalized racism,” he writes, “is the real Black on Black Crime.” Kendi methodically examines racism through numerous lenses: power, biology, ethnicity, body, culture, and so forth, all the way to the intersectional constructs of gender racism and queer racism (the only section of the book that feels rushed). Each chapter examines one facet of racism, the authorial camera alternately zooming in on an episode from Kendi’s life that exemplifies it—e.g., as a teen, he wore light-colored contact lenses, wanting “to be Black but…not…to look Black”—and then panning to the history that informs it (the antebellum hierarchy that valued light skin over dark). The author then reframes those received ideas with inexorable logic: “Either racist policy or Black inferiority explains why White people are wealthier, healthier, and more powerful than Black people today.” If Kendi is justifiably hard on America, he’s just as hard on himself. When he began college, “anti-Black racist ideas covered my freshman eyes like my orange contacts.” This unsparing honesty helps readers, both white and people of color, navigate this difficult intellectual territory.

Not an easy read but an essential one.

Pub Date: Aug. 13, 2019

ISBN: 978-0-525-50928-8

Page Count: 320

Publisher: One World/Random House

Review Posted Online: April 28, 2019

Kirkus Reviews Issue: May 15, 2019

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A clear and candid contribution to an essential conversation.

SO YOU WANT TO TALK ABOUT RACE

Straight talk to blacks and whites about the realities of racism.

In her feisty debut book, Oluo, essayist, blogger, and editor at large at the Establishment magazine, writes from the perspective of a black, queer, middle-class, college-educated woman living in a “white supremacist country.” The daughter of a white single mother, brought up in largely white Seattle, she sees race as “one of the most defining forces” in her life. Throughout the book, Oluo responds to questions that she has often been asked, and others that she wishes were asked, about racism “in our workplace, our government, our homes, and ourselves.” “Is it really about race?” she is asked by whites who insist that class is a greater source of oppression. “Is police brutality really about race?” “What is cultural appropriation?” and “What is the model minority myth?” Her sharp, no-nonsense answers include talking points for both blacks and whites. She explains, for example, “when somebody asks you to ‘check your privilege’ they are asking you to pause and consider how the advantages you’ve had in life are contributing to your opinions and actions, and how the lack of disadvantages in certain areas is keeping you from fully understanding the struggles others are facing.” She unpacks the complicated term “intersectionality”: the idea that social justice must consider “a myriad of identities—our gender, class, race, sexuality, and so much more—that inform our experiences in life.” She asks whites to realize that when people of color talk about systemic racism, “they are opening up all of that pain and fear and anger to you” and are asking that they be heard. After devoting most of the book to talking, Oluo finishes with a chapter on action and its urgency. Action includes pressing for reform in schools, unions, and local governments; boycotting businesses that exploit people of color; contributing money to social justice organizations; and, most of all, voting for candidates who make “diversity, inclusion and racial justice a priority.”

A clear and candid contribution to an essential conversation.

Pub Date: Jan. 16, 2018

ISBN: 978-1-58005-677-9

Page Count: 256

Publisher: Seal Press

Review Posted Online: Oct. 9, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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