Not her best novel—that remains the towering Coal Run (2004), for now—but her most mature, opening new paths for this...
Eschewing the melodramatic excesses of Sister Mine (2007), O’Dell crafts a strong, moving story about a rich old lady and two poor boys who help each other overcome shattering losses.
As the novel opens, Kyle and Klint Hayes’ father has just been killed while driving drunk; Candace Jack’s matador lover was gored to death by a bull in 1959. The 76-year-old Candace has never really recovered from the loss of Manuel Obrador. She returned to America with both the bull that killed Manuel and his teenaged sword page; now Luis serves as Candace’s cook and cranky voice of reason while a descendant of Calladito roams the grounds surrounding her mansion in Centresburg, the desolate western Pennsylvania town that serves as O’Dell’s Yoknapatawpha County. Readers of the author’s earlier books already know that J&P Coal made the Jack family rich while it sucked the life from men like Kyle and Klint’s father, poisoned the land, then shut down the mines and left the area’s residents to scrabble for a living. Klint, a high-school baseball star, might escape via an athletic scholarship; Kyle doesn’t know what he can do with the artistic ability that makes him a misfit in his blue-collar community. The boys’ mother Rhonda split years ago, and she’s happy to relinquish her sons for $15,000 from Candace, who’s been persuaded by her great-niece—as well as by ornery delight in infuriating her über-capitalist nephew—to take them in. Sensitive, observant Kyle, sophisticated, salt-of-the-earth Luis and cantankerous Candace rotate as narrators, showing the grief-stricken boys and the walled-off woman tentatively forging a healing connection until the return of monstrous Rhonda provokes a crisis. O’Dell’s eye for class conflict remains as sharp as ever, but she’s broadened the reach of her sympathies, tamed her taste for lurid plotting and found new depths in her subject matter and her human understanding.
Not her best novel—that remains the towering Coal Run (2004), for now—but her most mature, opening new paths for this talented writer.Pub Date: March 23, 2010
ISBN: 978-0-307-35168-5
Page Count: 384
Publisher: Shaye Areheart/Harmony
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 2010
The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.
A heartland novel that evokes the possibility of everyday miracles.
The third novel by Wisconsin author Butler (Beneath the Bonfire, 2015, etc.) shows that he knows this terrain inside out, in terms of tone and theme as well as geography. Nothing much happens in this small town in western Wisconsin, not far from the river that serves as the border with Minnesota, which attracts some tourism in the summer but otherwise seems to exist outside of time. The seasons change, but any other changes are probably for the worse—local businesses can’t survive the competition of big-box stores, local kids move elsewhere when they grow up, local churches see their congregations dwindle. Sixty-five-year-old Lyle Hovde and his wife, Peg, have lived here all their lives; they were married in the same church where he was baptized and where he’s sure his funeral will be. His friends have been friends since boyhood; he had the same job at an appliance store where he fixed what they sold until the store closed. Then he retired, or semiretired, as he found a new routine as the only employee at an apple orchard, where the aging owners are less concerned with making money than with being good stewards of the Earth. The novel is like a favorite flannel shirt, relaxed and comfortable, well-crafted even as it deals with issues of life and death, faith and doubt that Lyle somehow takes in stride. He and Peg lost their only child when he was just a few months old, a tragedy which shook his faith even as he maintained his rituals. He and Peg subsequently adopted a baby daughter, Shiloh, through what might seem in retrospect like a miracle (it certainly didn’t seem to involve any of the complications and paperwork that adoptions typically involve). Shiloh was a rebellious child who left as soon as she could and has now returned home with her 5-year-old son, Isaac. Grandparenting gives Lyle another chance to experience what he missed with his own son, yet drama ensues when Shiloh falls for a charismatic evangelist who might be a cult leader (and he’s a stranger to these parts, so he can’t be much good). Though the plot builds toward a dramatic climax, it ends with more of a quiet epiphany.
The novelist loves this land and these characters, with their enduring values amid a way of life that seems to be dying.Pub Date: March 5, 2019
ISBN: 978-0-06-246971-7
Page Count: 336
Publisher: Ecco/HarperCollins
Review Posted Online: Dec. 10, 2018
Kirkus Reviews Issue: Jan. 1, 2019
IN THE NEWS
A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.
A young New York woman figures there’s nothing wrong with existence that a fistful of prescriptions and months of napping wouldn’t fix.
Moshfegh’s prickly fourth book (Homesick for Another World, 2017, etc.) is narrated by an unnamed woman who’s decided to spend a year “hibernating.” She has a few conventional grief issues. (Her parents are both dead, and they’re much on her mind.) And if she’s not mentally ill, she’s certainly severely maladjusted socially. (She quits her job at an art gallery in obnoxious, scatological fashion.) But Moshfegh isn’t interested in grief or mental illness per se. Instead, she means to explore whether there are paths to living that don’t involve traditional (and wearying) habits of consumption, production, and relationships. To highlight that point, most of the people in the narrator's life are offbeat or provisional figures: Reva, her well-meaning but shallow former classmate; Trevor, a boyfriend who only pursues her when he’s on the rebound; and Dr. Tuttle, a wildly incompetent doctor who freely gives random pill samples and presses one drug, Infermiterol, that produces three-day blackouts. None of which is the stuff of comedy. But Moshfegh has a keen sense of everyday absurdities, a deadpan delivery, and such a well-honed sense of irony that the narrator’s predicament never feels tragic; this may be the finest existential novel not written by a French author. (Recovering from one blackout, the narrator thinks, “What had I done? Spent a spa day then gone out clubbing?...Had Reva convinced me to go ‘enjoy myself’ or something just as idiotic?”) Checking out of society the way the narrator does isn’t advisable, but there’s still a peculiar kind of uplift to the story in how it urges second-guessing the nature of our attachments while revealing how hard it is to break them.
A nervy modern-day rebellion tale that isn’t afraid to get dark or find humor in the darkness.Pub Date: July 10, 2018
ISBN: 978-0-525-52211-9
Page Count: 304
Publisher: Penguin Press
Review Posted Online: April 15, 2018
Kirkus Reviews Issue: May 1, 2018
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