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THE STOLEN HEIR

Grand events sweep this fantasy along, leaving room for the characters to grow.

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Tameem’s fantasy series starter sees formerly peaceable kingdoms go to war after the heir of two wealthy, magical families goes missing.

Thumeria and Paleria are the two major kingdoms on the continent of Krasoria. Most of the royals in these countries possess magical talents, including telepathy, and magic has become a prerequisite to sit on the throne. Thumeria’s Prince Caligon has no magical skills, so his younger brother, Jumen, will ascend to the throne. In Paleria, there’s no male heir, so for the first time, a woman—the gentle Princess Maloria—will succeed the king. As Jumen and Paleria’s Princess Auralia prepare to wed and strengthen the kingdoms’ bond, Caligon schemes. He envisions himself ruling both realms, regardless of his lack of magical ability, and Jumen and Auralia’s future child threatens this plan. Meanwhile, the mages Jeofrn and Mal discover a prophecy that says the person who will unite Krasoria must “be free of his royal shackles” and know “pain and suffering.” After Auralia gives birth to a son, the mages kidnap the infant and bring him to a remote village in Vetiria. The baby’s new parents, farmers Jacop and Bekka, raise him in secret as their own. However, the mages never imagined the two wealthy kingdoms blaming each other for the fact that the heir is missing. The two kings start a bloody war that drags on for a decade. Will the hidden royal, named Erik, become a casualty before he can save Krasoria?

Tameem’s medieval fantasy series bolts from the gate, depicting the complex relationships among Thumerian and Palerian families in a way that fans of George R.R. Martin’sGame of Thrones series will relish. Familiar fantasy elements, such as the mages’ use of portals, are effectively overshadowed by political and sociological themes. An ongoing food crisis among the peasants of both major kingdoms drives the plot, as the mages believe that only someone who’s suffered poverty and starvation would choose to spare others from the same. Tameem offers a balanced view of her medieval milieu through the character of Heclan, a historian who says that before the royals, “People didn’t eat scraps; they ate each other.” Fine details, like Jumen and Auralia’s genuine love, add depth to the characters—especially later, when the pair lead opposing armies. Depictions of violence are smoothly effective, as when a farmer insults a prince: “the man didn’t get to finish his sentence, his head rolling high in the air with one swift decapitating blow.” That said, there are occasional clumsy lines, as well (“He sat across his brother, legs equally crossed and looking him in the eyes”). Throughout, Caligon remains an entertaining manipulator. He stands out alongside Erik, the underdog prince, but most other characters display less agency than readers might desire; Jumen, for example, makes a grave decision based on Caligon’s word rather than his own investigation. A late twist brings readers to the dramatic precipice of the next installment.

Grand events sweep this fantasy along, leaving room for the characters to grow.

Pub Date: N/A

ISBN: N/A

Page Count: 220

Publisher: Manuscript

Review Posted Online: Sept. 10, 2020

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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TRESS OF THE EMERALD SEA

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

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A fantasy adventure with a sometimes-biting wit.

Tress is an ordinary girl with no thirst to see the world. Charlie is the son of the local duke, but he likes stories more than fencing. When the duke realizes the two teenagers are falling in love, he takes Charlie away to find a suitable wife—and returns with a different young man as his heir. Charlie, meanwhile, has been captured by the mysterious Sorceress who rules the Midnight Sea, which leaves Tress with no choice but to go rescue him. To do that, she’ll have to get off the barren island she’s forbidden to leave, cross the dangerous Verdant Sea, the even more dangerous Crimson Sea, and the totally deadly Midnight Sea, and somehow defeat the unbeatable Sorceress. The seas on Tress’ world are dangerous because they’re not made of water—they’re made of colorful spores that pour down from the world’s 12 stationary moons. Verdant spores explode into fast-growing vines if they get wet, which means inhaling them can be deadly. Crimson and midnight spores are worse. Ships protected by spore-killing silver sail these seas, and it’s Tress’ quest to find a ship and somehow persuade its crew to carry her to a place no ships want to go, to rescue a person nobody cares about but her. Luckily, Tress is kindhearted, resourceful, and curious—which also makes her an appealing heroine. Along her journey, Tress encounters a talking rat, a crew of reluctant pirates, and plenty of danger. Her story is narrated by an unusual cabin boy with a sharp wit. (About one duke, he says, “He’d apparently been quite heroic during those wars; you could tell because a great number of his troops had died, while he lived.”) The overall effect is not unlike The Princess Bride, which Sanderson cites as an inspiration.

Engrossing worldbuilding, appealing characters, and a sense of humor make this a winning entry in the Sanderson canon.

Pub Date: April 4, 2023

ISBN: 9781250899651

Page Count: 384

Publisher: Tor

Review Posted Online: April 11, 2023

Kirkus Reviews Issue: May 1, 2023

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