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THE STOLEN HEIR

Grand events sweep this fantasy along, leaving room for the characters to grow.

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Tameem’s fantasy series starter sees formerly peaceable kingdoms go to war after the heir of two wealthy, magical families goes missing.

Thumeria and Paleria are the two major kingdoms on the continent of Krasoria. Most of the royals in these countries possess magical talents, including telepathy, and magic has become a prerequisite to sit on the throne. Thumeria’s Prince Caligon has no magical skills, so his younger brother, Jumen, will ascend to the throne. In Paleria, there’s no male heir, so for the first time, a woman—the gentle Princess Maloria—will succeed the king. As Jumen and Paleria’s Princess Auralia prepare to wed and strengthen the kingdoms’ bond, Caligon schemes. He envisions himself ruling both realms, regardless of his lack of magical ability, and Jumen and Auralia’s future child threatens this plan. Meanwhile, the mages Jeofrn and Mal discover a prophecy that says the person who will unite Krasoria must “be free of his royal shackles” and know “pain and suffering.” After Auralia gives birth to a son, the mages kidnap the infant and bring him to a remote village in Vetiria. The baby’s new parents, farmers Jacop and Bekka, raise him in secret as their own. However, the mages never imagined the two wealthy kingdoms blaming each other for the fact that the heir is missing. The two kings start a bloody war that drags on for a decade. Will the hidden royal, named Erik, become a casualty before he can save Krasoria?

Tameem’s medieval fantasy series bolts from the gate, depicting the complex relationships among Thumerian and Palerian families in a way that fans of George R.R. Martin’sGame of Thrones series will relish. Familiar fantasy elements, such as the mages’ use of portals, are effectively overshadowed by political and sociological themes. An ongoing food crisis among the peasants of both major kingdoms drives the plot, as the mages believe that only someone who’s suffered poverty and starvation would choose to spare others from the same. Tameem offers a balanced view of her medieval milieu through the character of Heclan, a historian who says that before the royals, “People didn’t eat scraps; they ate each other.” Fine details, like Jumen and Auralia’s genuine love, add depth to the characters—especially later, when the pair lead opposing armies. Depictions of violence are smoothly effective, as when a farmer insults a prince: “the man didn’t get to finish his sentence, his head rolling high in the air with one swift decapitating blow.” That said, there are occasional clumsy lines, as well (“He sat across his brother, legs equally crossed and looking him in the eyes”). Throughout, Caligon remains an entertaining manipulator. He stands out alongside Erik, the underdog prince, but most other characters display less agency than readers might desire; Jumen, for example, makes a grave decision based on Caligon’s word rather than his own investigation. A late twist brings readers to the dramatic precipice of the next installment.

Grand events sweep this fantasy along, leaving room for the characters to grow.

Pub Date: N/A

ISBN: N/A

Page Count: 220

Publisher: Manuscript

Review Posted Online: Sept. 10, 2020

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FOURTH WING

From the Empyrean series , Vol. 1

Read this for the action-packed plot, not character development or worldbuilding.

On the orders of her mother, a woman goes to dragon-riding school.

Even though her mother is a general in Navarre’s army, 20-year-old Violet Sorrengail was raised by her father to follow his path as a scribe. After his death, though, Violet's mother shocks her by forcing her to enter the elite and deadly dragon rider academy at Basgiath War College. Most students die at the War College: during training sessions, at the hands of their classmates, or by the very dragons they hope to one day be paired with. From Day One, Violet is targeted by her classmates, some because they hate her mother, others because they think she’s too physically frail to succeed. She must survive a daily gauntlet of physical challenges and the deadly attacks of classmates, which she does with the help of secret knowledge handed down by her two older siblings, who'd been students there before her. Violet is at the mercy of the plot rather than being in charge of it, hurtling through one obstacle after another. As a result, the story is action-packed and fast-paced, but Violet is a strange mix of pure competence and total passivity, always managing to come out on the winning side. The book is categorized as romantasy, with Violet pulled between the comforting love she feels from her childhood best friend, Dain Aetos, and the incendiary attraction she feels for family enemy Xaden Riorson. However, the way Dain constantly undermines Violet's abilities and his lack of character development make this an unconvincing storyline. The plots and subplots aren’t well-integrated, with the first half purely focused on Violet’s training, followed by a brief detour for romance, and then a final focus on outside threats.

Read this for the action-packed plot, not character development or worldbuilding.

Pub Date: May 2, 2023

ISBN: 9781649374042

Page Count: 528

Publisher: Red Tower

Review Posted Online: Jan. 12, 2024

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ALCHEMISED

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

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Using mystery and romance elements in a nonlinear narrative, SenLinYu’s debut is a doorstopper of a fantasy that follows a woman with missing memories as she navigates through a war-torn realm in search of herself.

Helena Marino is a talented young healer living in Paladia—the “Shining City”—who has been thrust into a brutal war against an all-powerful necromancer and his army of Undying, loyal henchmen with immortal bodies, and necrothralls, reanimated automatons. When Helena is awakened from stasis, a prisoner of the necromancer’s forces, she has no idea how long she has been incarcerated—or the status of the war. She soon finds herself a personal prisoner of Kaine Ferron, the High Necromancer’s “monster” psychopath who has sadistically killed hundreds for his master. Ordered to recover Helena’s buried memories by any means necessary, the two polar opposites—Helena and Kaine, healer and killer—end up discovering much more as they begin to understand each other through shared trauma. While necromancy is an oft-trod subject in fantasy novels, the author gives it a fresh feel—in large part because of their superb worldbuilding coupled with unforgettable imagery throughout: “[The necromancer] lay reclined upon a throne of bodies. Necrothralls, contorted and twisted together, their limbs transmuted and fused into a chair, moving in synchrony, rising and falling as they breathed in tandem, squeezing and releasing around him…[He] extended his decrepit right hand, overlarge with fingers jointed like spider legs.” Another noteworthy element is the complex dynamic between Helena and Kaine. To say that these two characters shared the gamut of intense emotions would be a vast understatement. Readers will come for the fantasy and stay for the romance.

Although the melodrama sometimes is a bit much, the superb worldbuilding and intricate plotline make this a must-read.

Pub Date: Sept. 23, 2025

ISBN: 9780593972700

Page Count: 1040

Publisher: Del Rey

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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