By the riveting climax, characters and readers alike recognize that the very concept of a fixed, static identity is a...
On the surface, this novel of identity theft delivers page-turning suspense, but it also delves deeper into the essence of identity.
Having explored the past for perspective on the present in recent novels (the Kinsey sex report in The Inner Circle, 2004; the hippie commune of Drop City, 2003), the prolific Boyle addresses the contemporary concern of identity theft, showing how easy it is for a cyber-criminal to appropriate someone else’s identity and how difficult it can be for the victim to untangle the credit and criminal implications. Stopped for a traffic violation, deaf schoolteacher Dana finds herself jailed on charges she can’t understand, for crimes committed in states she has never visited. Her only ally in clearing herself is Bridger, the boyfriend she recently met at a dance club. From her Kafkaesque predicament, Dana develops a Moby-Dick–sized obsession (both literary references are evoked within the novel) to find the criminal and regain her identity. When she and Bridger stumble upon some contact information on the perpetrator, they make a big mistake that threatens the novel’s plausibility: They call the crook, letting him know they’re onto him, rather than passing the information along for police to investigate. What results is a cross-country chase, as Dana and Bridger pursue a quarry who has serial identities, is totally self-centered (whatever self he has assumed) and is convinced that he is society’s victim. He’s a younger, psychopathic Gatsby, using his purloined wealth to forge an identity that attracts beautiful women whom he treats as identity accessories. The quest costs Dana her job and threatens Bridger’s, as he discovers how little he really knows Dana, while she realizes how much she has defined her own identity as a deaf woman, as a daughter (her mother knows her in a way that Bridger never will) and as a victim.
By the riveting climax, characters and readers alike recognize that the very concept of a fixed, static identity is a delusion.Pub Date: July 10, 2006
ISBN: 0-670-03770-2
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2006
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.
Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.
A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”
Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.Pub Date: March 17, 2020
ISBN: 978-1-9821-3888-2
Page Count: 352
Publisher: Scribner
Review Posted Online: Dec. 22, 2019
Kirkus Reviews Issue: Jan. 15, 2020
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir...
Dr. Alex Cross has left Metro DC Homicide for the FBI, but it’s business as usual in this laughably rough-hewn fairy tale of modern-day white slavery.
According to reliable sources, more people are being sold into slavery than ever before, and it all seems to be going down on the FBI’s watch. Atlanta ex-reporter Elizabeth Connolly, who looks just like Claudia Schiffer, is the ninth target over the past two years to be abducted by a husband-and-wife pair who travel the country at the behest of the nefarious Pasha Sorokin, the Wolf of the Red Mafiya. The only clues are those deliberately left behind by the kidnappers, who snatch fashion designer Audrey Meek from the King of Prussia Mall in full view of her children, or patrons like Audrey’s purchaser, who ends up releasing her and killing himself. Who you gonna call? Alex Cross, of course. Even though he still hasn’t finished the Agency’s training course, all the higher-ups he runs into, from hardcases who trust him to lickspittles seething with envy, have obviously read his dossier (Four Blind Mice, 2002, etc.), and they know the new guy is “close to psychic,” a “one-man flying squad” who’s already a legend, “like Clarice Starling in the movies.” It’s lucky that Cross’s reputation precedes him, because his fond creator doesn’t give him much to do here but chase suspects identified by obliging tipsters and worry about his family (Alex Jr.’s mother, alarmed at Cross’s dangerous job, is suing for custody) while the Wolf and his cronies—Sterling, Mr. Potter, the Art Director, Sphinx, and the Marvel—kidnap more dishy women (and the occasional gay man) and kill everybody who gets in their way, and quite a few poor souls who don’t.
As in summer movies, a triple dose of violence conceals the absence of real menace when neither victims nor avengers stir the slightest sympathy.Pub Date: Nov. 5, 2003
ISBN: 0-316-60290-6
Page Count: 400
Publisher: Little, Brown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2003
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