Chiang writes seldom, but his almost unfathomably wonderful stories tick away with the precision of a Swiss watch—and...
First collection for multiple award-winner Chiang. Of the eight pieces here, seven (1990–2001) are more or less famous; the other is original to this volume. Assuming that “The Tower of Babylon” rose high enough to touch the vault of heaven—what if the builders then attempted to break through, to see what was on the other side? Humans develop godlike intelligence in “Understand,” but, Chiang demonstrates, it isn't just intelligence that makes us human. In “Division by Zero,” life loses all meaning for a mathematician who discovers a proof that mathematics itself is meaningless. The narrator of “Story of Your Life” deciphers an alien orthography, thereby acquiring the aliens' nonlinear view of time: she remembers the future as well as the past. “Seventy-Two Letters,” a sort of compressed novel, combines kabbalistic magic and certain 19th-century scientific doctrines into an entire alternative biology. The short-short “The Evolution of Human Science” first appeared in the prestigious science journal Nature, and ponders what science might become following the advent of incomprehensibly intelligent metahumans. And “Hell Is the Absence of God,” the crown jewel of a spectacular assemblage, terrifyingly probes the nature of belief and faith in a world where God, angels, heaven, and hell are all verifiably real and actual. Lastly, the original piece, “Liking What You See: A Documentary,” considers, from numerous viewpoints, the freedom to act and react, to like or dislike, other people based on judgments more complex than those deriving solely from appearance.
Chiang writes seldom, but his almost unfathomably wonderful stories tick away with the precision of a Swiss watch—and explode in your awareness with shocking, devastating force.Pub Date: Aug. 1, 2002
ISBN: 0-765-30418-X
Page Count: 288
Publisher: Tor
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
BOOK REVIEW
An ambitious and satisfying conclusion to a monumental saga.
Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.
This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”
An ambitious and satisfying conclusion to a monumental saga.Pub Date: Feb. 9, 2016
ISBN: 978-0-345-53984-7
Page Count: 400
Publisher: Del Rey/Ballantine
Review Posted Online: Dec. 8, 2015
Kirkus Reviews Issue: Dec. 15, 2015
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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