A tale with an authentic, immersive setting inhabited by well-developed, endearing characters.
A debut mystery that revolves around a cryptic letter and key that a famous bootlegger from Oklahoma left for his son.
Joe Meadows and Mike Allen have been friends since childhood. Now they’re middle-aged and struggling with their own issues—Joe’s wife is contemplating divorce, and Mike’s hardware business is months away from bankruptcy. Their lives change forever when Mike receives a package from a Dallas lawyer that includes what appears to be a safe-deposit box key and a letter from his deceased father that hints at a hidden cache of money. As their respective personal lives are unraveling, the two friends decide to investigate these clues further. Their search for answers regarding Mike’s mysterious father (who was rumored to be the “biggest bootlegger in Oklahoma” back in the 1940s and ’50s) soon leads them to New Mexico. After several misadventures, the duo begin to piece together Mike’s father’s wild history, which includes a heart-rending story involving his lover, Sally Thompson. Although the mystery elements in this novel are certainly engaging enough to keep readers turning pages, it’s Clifton’s superb character development that makes this story a transformative journey of self-discovery. The cast of characters is so fully realized that even secondary players, such as Samantha, Mike’s manipulative wife, and Ray Pacheco, a Las Cruces sheriff, are memorable. In fact, Sally’s tragic tale steals the show. The noteworthy narrative also includes vivid backdrops, brisk pacing, and a meticulously researched, historically accurate account of the Prohibition era in Oklahoma and Texas.
A tale with an authentic, immersive setting inhabited by well-developed, endearing characters.Pub Date: Sept. 15, 2015
ISBN: 978-1-927967-53-9
Page Count: 314
Publisher: CreateSpace
Review Posted Online: Nov. 18, 2015
Kirkus Reviews Issue: Dec. 15, 2015
Review Program: Kirkus Indie
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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