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EMPTY CALORIES AND MALE CURIOSITY

A quietly affecting series of recollections, at once light and full.

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A collection of short stories tracing the journey of a small-town New Jerseyite from boyhood to college.

McLoof gathers 10 roughly 10-page stories that begin with a reference to an actual 2023 New York Times piece on Midland Park, New Jersey, a slow-paced, multigenerational “Forever Town” an hour from New York City. The narrator reads something ominous into that description and rewinds to 1994, when, at age 10, he attends his town’s centennial carnival—an event too underfunded for real rides (“Carol Ann Mejury—our lunch lady—guessed people’s weights”), leaving only DIY attractions like a dunk tank, where his father sits until on-target balls land him in the water. More troubling is the narrator’s not unfounded sense that his parents’ marriage is faltering; his mother now sleeps in a sleeping bag on his bedroom floor. Smoking is ubiquitous—his older sister, Emily, his friends, his teachers, and nearly everyone else lights up throughout the book (his mom favors Pall Malls). Teen drinking, cocaine bumps, divorce, and a well-liked teacher who drinks before class sketch an environment of quiet dysfunction. Strong role models are all but missing. But the narrator’s love of film, inherited from both parents, runs through the collection, as do moments of unexpected poignancy, such as his mother’s disappointment when they skip watching the Academy Awards together for the first time; the decline of a local sporting-goods store whose owner refuses to embrace the internet in spite of his young staff offering to create a website for the shop; the surreal unfolding of 9/11; and the joys and embarrassments of early adulthood, from a first NYC apartment shared with a good friend to lounging in the grass with a crush (seemingly unwise during cicada season). Memories of small but telling transitions—like outgrowing a favorite suit—underscore the book’s wistful tone.

A quietly affecting series of recollections, at once light and full.

Pub Date: Dec. 16, 2025

ISBN: 9798987040157

Page Count: 132

Publisher: Cosmorama

Review Posted Online: Dec. 8, 2025

Kirkus Reviews Issue: Feb. 1, 2026

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  • New York Times Bestseller

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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PECK & PECK

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

And now for some lessons in poetry and typesetting.

After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.

Mostly charming, sometimes twee, with some really lovely things to say about poetry.

Pub Date: Oct. 13, 2026

ISBN: 9781668251065

Page Count: 432

Publisher: Scribner

Review Posted Online: July 6, 2026

Kirkus Reviews Issue: Aug. 1, 2026

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