by Ted Naifeh ; illustrated by Ted Naifeh ; Warren Wucinich ‧ RELEASE DATE: June 22, 2021
Fans of the series will be thrilled to dive back into this world.
Courtney Crumrin is back in a new vampire-battling adventure.
Long ago, human brothers found their way to the Twilight Kingdom. One brother was allowed to leave, but the other, Wilberforce, had to stay. Returning to the human world 100 years later, Will is reincarnated as Courtney Crumrin’s little brother even though he is, in fact, her great-grandfather. Will struggles to fit in at school, so sorcerer’s apprentice Courtney makes him a magical necklace that makes him popular. But all magic has a price, and it’s never a price you want to pay. Can Will and his best friend, Tucker, save Courtney from a vampire, or will she be lost forever? This classic good-versus-evil story with an edgy, black-humor feel is visually compelling; the color palette and linework together effectively convey emotions. Short episodes move the story along quickly, although at times the transitions between narrative perspectives are disorienting. This volume draws heavily on background information from prior Courtney Crumrin books; newbies to this fandom may wish for more details. The magic used by Courtney, the villainous vampire, and creatures from the Twilight Kingdom is never clearly defined. Character development is also rather uneven; most cast members have just a handful of personality traits. Most characters read as White.
Fans of the series will be thrilled to dive back into this world. (Graphic fantasy. 12-16)Pub Date: June 22, 2021
ISBN: 978-1-62010-930-4
Page Count: 128
Publisher: Oni Press
Review Posted Online: April 29, 2021
Kirkus Reviews Issue: May 15, 2021
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by Kiku Hughes ; illustrated by Kiku Hughes ‧ RELEASE DATE: Aug. 18, 2020
A timely and well-paced story of personal discovery.
Time travel brings a girl closer to someone she’s never known.
Sixteen-year-old Kiku, who is Japanese and white, only knows bits and pieces of her family history. While on a trip with her mother to San Francisco from their Seattle home, they search for her grandmother’s childhood home. While waiting for her mother, who goes inside to explore the mall now standing there, a mysterious fog envelops Kiku and displaces her to a theater in the past where a girl is playing the violin. The gifted musician is Ernestina Teranishi, who Kiku later confirms is her late grandmother. To Kiku’s dismay, the fog continues to transport her, eventually dropping her down next door to Ernestina’s family in a World War II Japanese American internment camp. The clean illustrations in soothing browns and blues convey the characters’ intense emotions. Hughes takes inspiration from her own family’s story, deftly balancing complicated national history with explorations of cultural dislocation and biracial identity. As Kiku processes her experiences, Hughes draws parallels to President Donald Trump’s Muslim ban and the incarceration of migrant children. The emotional connection between Kiku and her grandmother is underdeveloped; despite their being neighbors, Ernestina appears briefly and feels elusive to both Kiku and readers up to the very end. Despite some loose ends, readers will gain insights to the Japanese American incarceration and feel called to activism.
A timely and well-paced story of personal discovery. (photographs, author’s note, glossary, further reading) (Graphic historical fantasy. 12-16)Pub Date: Aug. 18, 2020
ISBN: 978-1-250-19353-7
Page Count: 288
Publisher: First Second
Review Posted Online: May 16, 2020
Kirkus Reviews Issue: June 1, 2020
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by James Patterson & Emily Raymond ; illustrated by Valeria Wicker ‧ RELEASE DATE: April 26, 2022
A somewhat entertaining, fast-paced journey that fizzles at the end.
A teenager runs away to Seattle, hoping to locate her missing sister.
Fifteen-year-old Eleanor idolizes her older sister, Sam, despite their being complete opposites: Sam is outgoing and wild, while socially awkward Eleanor is known as Little Miss Perfect, always doing the right and safe thing. After Sam runs away from home, the only communication she has with Eleanor are three postcards sent from Seattle. Eleanor decides to trace her 18-year-old sister’s footsteps, leaving her messages and hopping on a bus to find her. But when Sam doesn’t meet her at the bus depot, Eleanor, who has no real plan, has to learn how to survive on her own while searching the city for her sister. While the close bond between the girls is well depicted through flashbacks, the reveal of an important secret ultimately feels anticlimactic. A major plot point relies too heavily on chance and coincidence to be fully believable. While the color scheme, cityscapes, and background illustrations are atmospheric, the manga-inspired drawing style comes across as dated and flat. The depiction of the fabricated stories Eleanor tells is intriguing, as are the themes of friendship, living in the moment, and maintaining hope; unfortunately, none are thematically strong enough to resonate. The emotional impact of Eleanor’s experiences is diluted by her at times humorous narration. Eleanor and the main cast read as White.
A somewhat entertaining, fast-paced journey that fizzles at the end. (Graphic novel. 12-15)Pub Date: April 26, 2022
ISBN: 978-0-316-50023-4
Page Count: 280
Publisher: Little, Brown
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
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