Curiously unresolved; perhaps intentionally so but unsatisfying either way.
This debut novel suggests that in space, there is always room for drama.
Even the most casual genre fan knows that a multiyear journey to a distant planet is probably doomed from the start. Unfortunately, no one sent the memo to the alternate early-21st-century Britain where this story begins. Decades after probes send back images and data from a seemingly idyllic Earth-like planet with no sentient life, the U.K. Space Agency plots a 23-year-long colonization mission to this “Terra-Two” with four adult astronauts plus six teenagers who have spent the last six years in a highly competitive academy that has trained them for space to the point of burnout, so much so that one of them, Ara, commits suicide the day before the launch in 2012. The senior crew are practically ciphers, particularly the noble and kind captain; the story focuses on the young prodigies: gifted pilot Harry, whose arrogance often tips toward cruelty; Astrid, whose devotion to the mission mingles with a religious mania; her twin, Juno, who relies on science and rules to the exclusion of tact; beautiful polyglot Poppy, whose polished exterior masks the emotional damage she suffered as an abused and neglected child; Eliot, a brilliant engineer and Ara’s grieving boyfriend; and Jesse, who believes it was his destiny to go on the mission but, as Ara’s last-minute replacement, never quite feels part of the crew. Despite extensive psychological testing, no one seems to have realized that this group might have some trouble getting along, which is presumably essential for a decadeslong journey in a small vessel. There’s friction from the beginning, magnified by serious mechanical trouble within the mission’s first year. Why was this mix of careful planning and egregious blind spots allowed to launch in the first place? Was the need for the U.K. to win the space race so important that it was worth sacrificing these people and resources even though the possibility for success was so slim? Preferring to focus on the fraught interplay among the junior crew, author Oh never provides answers to the many questions her plot raises, nor offers much hope that the ensuing 22 years will lead to a happy outcome.
Curiously unresolved; perhaps intentionally so but unsatisfying either way.Pub Date: Aug. 13, 2019
ISBN: 978-1-5344-3740-1
Page Count: 544
Publisher: Saga/Simon & Schuster
Review Posted Online: May 26, 2019
Kirkus Reviews Issue: June 15, 2019
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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