Curiously unresolved; perhaps intentionally so but unsatisfying either way.


This debut novel suggests that in space, there is always room for drama.

Even the most casual genre fan knows that a multiyear journey to a distant planet is probably doomed from the start. Unfortunately, no one sent the memo to the alternate early-21st-century Britain where this story begins. Decades after probes send back images and data from a seemingly idyllic Earth-like planet with no sentient life, the U.K. Space Agency plots a 23-year-long colonization mission to this “Terra-Two” with four adult astronauts plus six teenagers who have spent the last six years in a highly competitive academy that has trained them for space to the point of burnout, so much so that one of them, Ara, commits suicide the day before the launch in 2012. The senior crew are practically ciphers, particularly the noble and kind captain; the story focuses on the young prodigies: gifted pilot Harry, whose arrogance often tips toward cruelty; Astrid, whose devotion to the mission mingles with a religious mania; her twin, Juno, who relies on science and rules to the exclusion of tact; beautiful polyglot Poppy, whose polished exterior masks the emotional damage she suffered as an abused and neglected child; Eliot, a brilliant engineer and Ara’s grieving boyfriend; and Jesse, who believes it was his destiny to go on the mission but, as Ara’s last-minute replacement, never quite feels part of the crew. Despite extensive psychological testing, no one seems to have realized that this group might have some trouble getting along, which is presumably essential for a decadeslong journey in a small vessel. There’s friction from the beginning, magnified by serious mechanical trouble within the mission’s first year. Why was this mix of careful planning and egregious blind spots allowed to launch in the first place? Was the need for the U.K. to win the space race so important that it was worth sacrificing these people and resources even though the possibility for success was so slim? Preferring to focus on the fraught interplay among the junior crew, author Oh never provides answers to the many questions her plot raises, nor offers much hope that the ensuing 22 years will lead to a happy outcome.

Curiously unresolved; perhaps intentionally so but unsatisfying either way.

Pub Date: Aug. 13, 2019

ISBN: 978-1-5344-3740-1

Page Count: 544

Publisher: Saga/Simon & Schuster

Review Posted Online: May 27, 2019

Kirkus Reviews Issue: June 15, 2019

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A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.


Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z (2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 10, 2020

Kirkus Reviews Issue: March 1, 2020

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A breezy and fun contemporary fantasy.


A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.

Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.

A breezy and fun contemporary fantasy.

Pub Date: March 17, 2020

ISBN: 978-1-250-21728-8

Page Count: 352

Publisher: Tor

Review Posted Online: Nov. 11, 2019

Kirkus Reviews Issue: Dec. 1, 2019

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