A refreshing intellectual discussion of religious and scientific themes.

CREATURE AND CREATOR

INTERSECTIONS BETWEEN SCIENCE AND RELIGION

A dispassionate, exhaustive examination of God, mankind and seemingly everything else under the sun.

The author, in his debut, may hold dear his own understanding of the ultimate nature of reality, but it doesn’t prevent him from giving diverse viewpoints their due. On the contrary, this intelligent, consistently provocative discourse on who we are, where we come from and where we might be headed appears to revel in possibilities. Many examples of perceived truths that humankind has attained through revelation or experimentation are put center stage for close scrutiny. One moment, the book provides a careful overview of Galileo Galilei’s run-in with the Inquisition; the next, it offers an in-depth analysis of color and its fundamental properties. Quantum physics gets equal time with ontological uncertainty, epistemic anxiety, free will and the philosophy of David Hume. The book also treats readers to generous helpings of hermeneutics, causality, determinism, evolution, cosmology and more. History’s greatest philosophers are balanced against the world’s great religions: “Science is based on a belief in a real world whose governing principles can be determined by observation, experimentation and reason….Religion is based on a belief that the universe has a purpose, and that human beings should seek to discover this purpose.” Curiously, the author notes, it’s at the intersection of science and religion that things get most unpredictable; stout men of science are revealed to be fundamentally faithful, while some of the most outwardly devout historical figures are found to harbor the most acute pessimism. After he painstakingly peels all the layers away, the author intriguingly finds lots of faith in science and plenty of cleareyed reasoning in religion.

A refreshing intellectual discussion of religious and scientific themes.

Pub Date: Dec. 15, 2013

ISBN: 978-0-9920814-0-9

Page Count: 515

Publisher: CreateSpace

Review Posted Online: Dec. 6, 2013

Kirkus Reviews Issue: Jan. 15, 2014

Did you like this book?

No Comments Yet

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Did you like this book?

WHAT A WONDERFUL WORLD

A LIFETIME OF RECORDINGS

Noted jazz and pop record producer Thiele offers a chatty autobiography. Aided by record-business colleague Golden, Thiele traces his career from his start as a ``pubescent, novice jazz record producer'' in the 1940s through the '50s, when he headed Coral, Dot, and Roulette Records, and the '60s, when he worked for ABC and ran the famous Impulse! jazz label. At Coral, Thiele championed the work of ``hillbilly'' singer Buddy Holly, although the only sessions he produced with Holly were marred by saccharine strings. The producer specialized in more mainstream popsters like the irrepressibly perky Teresa Brewer (who later became his fourth wife) and the bubble-machine muzak-meister Lawrence Welk. At Dot, Thiele was instrumental in recording Jack Kerouac's famous beat- generation ramblings to jazz accompaniment (recordings that Dot's president found ``pornographic''), while also overseeing a steady stream of pop hits. He then moved to the Mafia-controlled Roulette label, where he observed the ``silk-suited, pinky-ringed'' entourage who frequented the label's offices. Incredibly, however, Thiele remembers the famously hard-nosed Morris Levy, who ran the label and was eventually convicted of extortion, as ``one of the kindest, most warm-hearted, and classiest music men I have ever known.'' At ABC/Impulse!, Thiele oversaw the classic recordings of John Coltrane, although he is the first to admit that Coltrane essentially produced his own sessions. Like many producers of the day, Thiele participated in the ownership of publishing rights to some of the songs he recorded; he makes no apology for this practice, which he calls ``entirely appropriate and without any ethical conflicts.'' A pleasant, if not exactly riveting, memoir that will be of most interest to those with a thirst for cocktail-hour stories of the record biz. (25 halftones, not seen)

Pub Date: May 1, 1995

ISBN: 0-19-508629-4

Page Count: 224

Publisher: Oxford Univ.

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: March 1, 1995

Did you like this book?

more