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CREATURE AND CREATOR

INTERSECTIONS BETWEEN SCIENCE AND RELIGION

A refreshing intellectual discussion of religious and scientific themes.

Awards & Accolades

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A dispassionate, exhaustive examination of God, mankind and seemingly everything else under the sun.

The author, in his debut, may hold dear his own understanding of the ultimate nature of reality, but it doesn’t prevent him from giving diverse viewpoints their due. On the contrary, this intelligent, consistently provocative discourse on who we are, where we come from and where we might be headed appears to revel in possibilities. Many examples of perceived truths that humankind has attained through revelation or experimentation are put center stage for close scrutiny. One moment, the book provides a careful overview of Galileo Galilei’s run-in with the Inquisition; the next, it offers an in-depth analysis of color and its fundamental properties. Quantum physics gets equal time with ontological uncertainty, epistemic anxiety, free will and the philosophy of David Hume. The book also treats readers to generous helpings of hermeneutics, causality, determinism, evolution, cosmology and more. History’s greatest philosophers are balanced against the world’s great religions: “Science is based on a belief in a real world whose governing principles can be determined by observation, experimentation and reason….Religion is based on a belief that the universe has a purpose, and that human beings should seek to discover this purpose.” Curiously, the author notes, it’s at the intersection of science and religion that things get most unpredictable; stout men of science are revealed to be fundamentally faithful, while some of the most outwardly devout historical figures are found to harbor the most acute pessimism. After he painstakingly peels all the layers away, the author intriguingly finds lots of faith in science and plenty of cleareyed reasoning in religion.

A refreshing intellectual discussion of religious and scientific themes.

Pub Date: Dec. 15, 2013

ISBN: 978-0-9920814-0-9

Page Count: 515

Publisher: CreateSpace

Review Posted Online: Dec. 6, 2013

Kirkus Reviews Issue: Jan. 15, 2014

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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