The fascinating life of the subject compensates for a somewhat dry and lengthy narration.

QUEEN OF PHYSICS

HOW WU CHIEN SHIUNG HELPED UNLOCK THE SECRETS OF THE ATOM

From the People Who Shaped Our World series

Societal limits cannot extinguish talent.

When Wu Chien Shiung is born, her parents worry, “What would become of her?” Due to sexist mores, “in those days, girls were not sent to school.” But Chien Shiung was lucky, as before she was born both parents had opened a school for girls, encouraging families in their town of Liuhe to educate their daughters. “Soon enough, Chien Shiung [has] learned everything she could from her parents’ school,” leaving for the city of Suzhou, miles away from home and family. There she finds her passions for physics, reading (or “self-learning”), and politics. Her extraordinary talent takes her to bigger opportunities and further away from home. Eventually she ends up at Columbia University in New York. Because of her expertise in beta decay, three groups of scientists enlist her help with their research. From her work, all three groups win the Nobel Prize, but she is overlooked every single time. And “because she [is] a woman, because she [is] Asian,” Chien Shiung is passed over for jobs. Yet her advocacy and sheer talent cannot be ignored for much longer. Huang utilizes spirited mixed-media images with a neutral palette to illuminate Shiung’s journey. Robeson is seemingly engrossed in the details, giving the longer-than-usual text the feel of a recitation of facts.

The fascinating life of the subject compensates for a somewhat dry and lengthy narration. (Picture book/biography. 6-9)

Pub Date: Sept. 17, 2019

ISBN: 978-1-4549-3220-8

Page Count: 48

Publisher: Sterling

Review Posted Online: June 25, 2019

Kirkus Reviews Issue: July 15, 2019

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A good overview of this complex, essential organ, with an energetic seasoning of silliness.

THE BRAIN IS KIND OF A BIG DEAL

An introduction to the lead guitar and vocalist for the Brainiacs—the human brain.

The brain (familiar to readers of Seluk’s “The Awkward Yeti” webcomic, which spun off the adult title Heart and Brain, 2015) looks like a dodgeball with arms and legs—pinkish, sturdy, and roundish, with a pair of square-framed spectacles bestowing an air of importance and hipness. Other organs of the body—tongue, lungs, stomach, muscle, and heart—are featured as members of the brain’s rock band (the verso of the dust jacket is a poster of the band). Seluk’s breezy, conversational prose and brightly colored, boldly outlined cartoon illustrations deliver basic information. The brain’s role in keeping the heart beating and other automatic functions, directing body movements, interpreting sights and sounds, remembering smells and tastes, and regulating sleep and hunger are all explained, prose augmented by dialogue balloons and information sidebars. Seluk points out, importantly, that feelings originate in the brain: “You can control how you react…but your feelings happen no matter what.” The parodied album covers on the front endpapers (including the Beatles, Pink Floyd, Green Day, Run DMC, Queen, Nirvana) will amuse parents—or at least grandparents—and the rear endpapers serve up band members’ clever social media and texting screenshots. Backmatter includes a glossary and further brain trivia but no resources or bibliography.

A good overview of this complex, essential organ, with an energetic seasoning of silliness. (Informational picture book. 6-8)

Pub Date: Oct. 1, 2019

ISBN: 978-1-338-16700-9

Page Count: 40

Publisher: Orchard/Scholastic

Review Posted Online: June 23, 2019

Kirkus Reviews Issue: July 15, 2019

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An astonishing work of art and a crucial addition to every bookshelf.

WHEN WE SAY BLACK LIVES MATTER

The author of The Patchwork Bike (illustrated by Van Thanh Rudd, 2016) writes to children about the meaning of the phrase Black Lives Matter.

Pastel illustrations, also by Clarke, on dark, textured paper are paired with oversized, contrasting text addressed to “Little one.” In the visuals, a family that begins as a couple expecting a baby grows into a family with a child and then becomes part of a community in protest, marching for Black lives, before a final page shows a jubilant Black boy in a cap and gown. The adult narrator explains that “when we say Black Lives Matter, / we’re saying Black people are wonderful-strong.” Other meanings of the rallying cry, when it is called out, screamed, sung, laughed, and known, include a demand for respect, a defiant joy, a channeling of ancestors, an acknowledgment of trouble, and knowing one’s worth. Clarke’s text is poignant and mesmerizing, with design elements that raise the text to an artistic level, shaping it around the art and highlighting active and emotional words in color: enough, dancing, radiant, precious. The art is truly outstanding, gripping the heart from the very first spread and not letting go. With colored shapes and stained-glass motifs, these Black figures feel real and weighty. Within this deep dive are tragedy, fear, anger, and mourning alongside hope, comfort, strength, and triumph. This slim book contains a necessary and healing exploration of our current moment that will remain relevant for decades to come.

An astonishing work of art and a crucial addition to every bookshelf. (Picture book. 4-10)

Pub Date: Sept. 14, 2021

ISBN: 978-1-5362-2238-8

Page Count: 32

Publisher: Candlewick

Review Posted Online: June 29, 2021

Kirkus Reviews Issue: July 15, 2021

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It’s nothing new in territory or angle, but it’s still a serviceable survey with reasonably durable moving parts.

THE ULTIMATE BOOK OF PLANET EARTH

Flaps, pull tabs, and pop-ups large and small enhance views of our planet’s inside, outside, atmosphere, biosphere, and geophysics.

It’s a hefty, high-speed tour through Earth’s features, climates, and natural resources, with compressed surveys of special topics on multileveled flaps and a spread on the history of life that is extended by a double-foldout wing. But even when teeming with small images of land forms, wildlife, or diverse groups of children and adults, Balicevic’s bright cartoon illustrations look relatively uncrowded. Although the quality of the paper engineering is uneven, the special effects add dramatic set pieces: Readers need to hold in place a humongous column of cumulonimbus clouds for it to reach its full extension; a volcano erupts in a gratifyingly large scale; and, on the plate-tectonics spread, a pull tab gives readers the opportunity to run the Indian Plate into the Eurasian one and see the Himalayas bulge up. A final spread showing resources, mostly renewable ones, being tapped ends with an appeal to protect “our only home.” All in all, it’s a likely alternative to Dougal Jerram’s Utterly Amazing Earth, illustrated by Dan Crisp and Molly Lattin (2017), being broader in scope and a bit more generous in its level of detail.

It’s nothing new in territory or angle, but it’s still a serviceable survey with reasonably durable moving parts. (Informational novelty. 6-9)

Pub Date: Aug. 27, 2019

ISBN: 979-1-02760-562-0

Page Count: 18

Publisher: Twirl/Chronicle

Review Posted Online: July 24, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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