Exhilarating and timeless.
Join the Doctors and their companions on journeys through space and time.
Spanning the entirety of the Doctor Who series run, this anthology caters to a broad fan base by balancing original and post-reboot Doctors while also giving the Doctors’ companions their own stories. In “Gatecrashers” by Joy Wilkinson, the 13th Doctor and her fam visit a locked alien world, where lives are trapped by technology. Both murder mystery and foreshadowing of modern society, this story also analyzes the beauty found in dark places. “Grounded” by Una McCormack begins with Ben, his Dad, and his Dad’s friend as they cover conspiracy theories and aliens; it’s a quiet and charming tale compared to the more action-packed stories. In “We Can’t Stop What’s Coming” by editor Cole, the eighth Doctor, Fitz, and Trix investigate time distortions facing hostile Neanderthals, relying on empathy and their wits rather than Time Lord technology. “Pain Management” by Beverly Sanford steals the show with its spot-on characterization and tone. It features the 12th Doctor, Bill, Nardole, and Missy, who, while trying to be good, accidentally cause massive havoc. From captive Doctors to brave companions, invading aliens, lifesaving missions, explorations of war and humanity, and the universe’s beauty, these 15 short stories are as varied and intriguing as the series itself. The stories vary in terms of accessibility depending on readers’ familiarity with all the Doctors’ various incarnations, which may encourage further viewing of this classic.
Exhilarating and timeless. (Science fiction. 13-adult)Pub Date: Oct. 24, 2020
ISBN: 978-1-78594-474-1
Page Count: 320
Publisher: Penguin Group UK
Review Posted Online: Sept. 9, 2020
Kirkus Reviews Issue: Oct. 1, 2020
One small step, no giant leaps.
Weir (The Martian, 2014) returns with another off-world tale, this time set on a lunar colony several decades in the future.
Jasmine “Jazz” Bashara is a 20-something deliveryperson, or “porter,” whose welder father brought her up on Artemis, a small multidomed city on Earth’s moon. She has dreams of becoming a member of the Extravehicular Activity Guild so she’ll be able to get better work, such as leading tours on the moon’s surface, and pay off a substantial personal debt. For now, though, she has a thriving side business procuring low-end black-market items to people in the colony. One of her best customers is Trond Landvik, a wealthy businessman who, one day, offers her a lucrative deal to sabotage some of Sanchez Aluminum’s automated lunar-mining equipment. Jazz agrees and comes up with a complicated scheme that involves an extended outing on the lunar surface. Things don’t go as planned, though, and afterward, she finds Landvik murdered. Soon, Jazz is in the middle of a conspiracy involving a Brazilian crime syndicate and revolutionary technology. Only by teaming up with friends and family, including electronics scientist Martin Svoboda, EVA expert Dale Shapiro, and her father, will she be able to finish the job she started. Readers expecting The Martian’s smart math-and-science problem-solving will only find a smattering here, as when Jazz figures out how to ignite an acetylene torch during a moonwalk. Strip away the sci-fi trappings, though, and this is a by-the-numbers caper novel with predictable beats and little suspense. The worldbuilding is mostly bland and unimaginative (Artemis apartments are cramped; everyone uses smartphonelike “Gizmos”), although intriguing elements—such as the fact that space travel is controlled by Kenya instead of the United States or Russia—do show up occasionally. In the acknowledgements, Weir thanks six women, including his publisher and U.K. editor, “for helping me tackle the challenge of writing a female narrator”—as if women were an alien species. Even so, Jazz is given such forced lines as “I giggled like a little girl. Hey, I’m a girl, so I’m allowed.”
One small step, no giant leaps.Pub Date: Nov. 14, 2017
ISBN: 978-0-553-44812-2
Page Count: 320
Publisher: Crown
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 15, 2017
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and...
A deliciously creepy page-turning gem from first-time writer and illustrator Brosgol finds brooding teenager Anya trying to escape the past—both her own and the ghost haunting her.
Anya feels out of place at her preppy private school; embarrassed by her Russian heritage, she has worked hard to lose her accent and to look more like everyone else. After a particularly frustrating morning at the bus stop, Anya storms off, only to accidentally fall down a well. Down in the dark hole, she meets Emily, a ghost who claims to be a murder victim trapped down in the dank abyss for 90 years. With Emily’s help, Anya manages to escape, though once free, she learns that Emily has traveled out with her. At first, Emily seems like the perfect friend; however, once her motives become clear, Anya learns that “perfect” may only be an illusion. A moodily atmospheric spectrum of grays washes over the clean, tidy panels, setting a distinct stage before the first words appear. Brosgol’s tight storytelling invokes the chilling feeling of Neil Gaiman’s Coraline (2002), though for a decidedly older set.
In addition to the supernatural elements, Brosgol interweaves some savvy insights about the illusion of perfection and outward appearance. (Graphic supernatural fiction. 12 & up)Pub Date: June 7, 2011
ISBN: 978-1-59643-552-0
Page Count: 224
Publisher: First Second
Review Posted Online: April 18, 2011
Kirkus Reviews Issue: May 1, 2011
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