A noodle-bending literary sci-fi novel that puts its hero in the box with Schrödinger’s cat.
An underground comic creator reveals the unbelievably true origin story of her most famous creation, Sputnik Chick, the girl with no past.
In this arresting debut novel, Favro (The Proxy Bride, 2012) has crafted a delightful, timey-wimey gem that manages to temper its phantasmagorical imagery with the authentic pain of losing everything that one loves. The book’s protagonist is Debbie Reynolds Biondi, a pill-popping, hard-drinking cartoonist looking down the barrel of middle age even as her punky comic-book heroine continues to surge in popularity. But to keep her gig, Debbie is under pressure from her publisher and fans to reveal the origins of her graphic doppelgänger. That’s when the story comes off the ground like a flying car as Debbie reveals how she grew up in an alternate reality vastly removed from this one. In Debbie’s universe, dubbed “Atomic Mean Time,” when Robert Oppenheimer split the atom, it shattered time, creating a fractured spectrum of alternate realities. Debbie’s adolescence was spent terrified under the very real threat of nuclear war as America and Russia increased their nuclear arsenals in droves in a cold war that never ended. Yet there are also those mundane but unforgettable moments of adolescence, too, including time with friends and Debbie’s romance with handsome neighbor John Kendal. But again and again, Debbie encounters a mysterious time traveler she dubs “The Trespasser,” who warns of her inevitable fate as the sole person with the ability to bring time’s impossible divisions to an end, albeit at unthinkable personal cost. Favro walks an incredible narrative tightrope here, balancing present-day Debbie’s sad, inebriated reality with Atomic Mean Time Debbie’s frightening world of duck-and-cover exercises, DNA–enhanced “twisties,” and imminent nuclear threats. “I’ve always felt that The Girl With No Past was a revenge tragedy at heart,” a lover tells her. “There’s a darkness at its core. That’s what makes it so interesting.”
A noodle-bending literary sci-fi novel that puts its hero in the box with Schrödinger’s cat.Pub Date: April 11, 2017
ISBN: 978-1-77041-341-2
Page Count: 360
Publisher: ECW Press
Review Posted Online: Feb. 5, 2017
Kirkus Reviews Issue: Feb. 15, 2017
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the...
Brown presents the second installment of his epic science-fiction trilogy, and like the first (Red Rising, 2014), it’s chock-full of interpersonal tension, class conflict and violence.
The opening reintroduces us to Darrow au Andromedus, whose wife, Eo, was killed in the first volume. Also known as the Reaper, Darrow is a lancer in the House of Augustus and is still looking for revenge on the Golds, who are both in control and in the ascendant. The novel opens with a galactic war game, seemingly a simulation, but Darrow’s opponent, Karnus au Bellona, makes it very real when he rams Darrow’s ship and causes a large number of fatalities. In the main narrative thread, Darrow has infiltrated the Golds and continues to seek ways to subvert their oppressive and dominant culture. The world Brown creates here is both dense and densely populated, with a curious amalgam of the classical, the medieval and the futuristic. Characters with names like Cassius, Pliny, Theodora and Nero coexist—sometimes uneasily—with Daxo, Kavax and Sevro. And the characters inhabit a world with a vaguely medieval social hierarchy yet containing futuristic technology such as gravBoots. Amid the chronological murkiness, one thing is clear—Darrow is an assertive hero claiming as a birthright his obligation to fight against oppression: "For seven hundred years we have been enslaved….We have been kept in darkness. But there will come a day when we walk in the light." Stirring—and archetypal—stuff.
Comparisons to The Hunger Games and Game of Thrones series are inevitable, for this tale has elements of both—fantasy, the future and quasi-historicism.Pub Date: Jan. 6, 2015
ISBN: 978-0-345-53981-6
Page Count: 448
Publisher: Del Rey/Ballantine
Review Posted Online: Oct. 22, 2014
Kirkus Reviews Issue: Nov. 1, 2014
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